Memorial Time: Claudia Rankine, C. D. Wright, and the Temporal Space of Remembrance

IF 0.1 0 LITERATURE, AMERICAN
Sarah Nance
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引用次数: 1

Abstract

Abstract:Media representations of violence in the twenty-first century often point toward a clear narrative resolution, a move likewise reflected in large-scale, state-sanctioned memorials to the victims of such violence. However, memorials also contain the potential to respond in more immediate ways, disrupting narrative closure and refashioning the relationships among viewer, violence, and time. Using the space of the page and the form of the photograph, Claudia Rankine, C.D. Wright, and Amy Berbert produce alternative temporal relationships to violence, decoupling its remembrance from the place in which it occurred. In doing so, these artists create memorial encounters that are portable, allowing viewers and readers to engage from any location through book publication and social media dissemination. By decentralizing the memorial from the site of violence, these examples radically insist on our participation and our acknowledgement that the future is yet to be inscribed.
纪念时间:克劳迪娅·兰金、C.D.赖特与纪念的时空
摘要:媒体对21世纪暴力事件的描述往往指向一个明确的叙事解决方案,这一举措同样反映在国家批准的大规模暴力受害者纪念碑上。然而,纪念馆也有可能以更直接的方式做出回应,打破叙事的封闭,重塑观众、暴力和时间之间的关系。克劳迪娅·兰金(Claudia Rankine)、C.D.赖特(C.D.Wright)和艾米·贝伯特(Amy Berbert。在这样做的过程中,这些艺术家创造了可移植的纪念遭遇,让观众和读者可以通过书籍出版和社交媒体传播在任何地方参与进来。通过将纪念馆从暴力现场分散开来,这些例子从根本上坚持了我们的参与,并承认未来尚未被铭记。
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来源期刊
Arizona Quarterly
Arizona Quarterly LITERATURE, AMERICAN-
CiteScore
0.30
自引率
0.00%
发文量
20
期刊介绍: Arizona Quarterly publishes scholarly essays on American literature, culture, and theory. It is our mission to subject these categories to debate, argument, interpretation, and contestation via critical readings of primary texts. We accept essays that are grounded in textual, formal, cultural, and theoretical examination of texts and situated with respect to current academic conversations whilst extending the boundaries thereof.
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