Three Steps Towards the Phenomenology of Literature with Arūnas Sverdiolas

IF 0.2 4区 哲学 0 PHILOSOPHY
Jūratė Levina
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引用次数: 0

Abstract

The paper outlines the methodological orientation of Arūnas Sverdiolas’s scholarship and his school towards the praxis of the hermeneutic understanding of concrete cultural phenomena and takes this approach into the field of the phenomenology of literature. The attempt begins with a definition of the literary work in the hermeneutic framework of discourse, in which the work is considered to be an utterance that expresses an originary grasp of world phenomena. This capacity of the work to express is enabled by the operative mechanism of discourse, which binds, by the means of grammar and reference, the linguistic form of the work to the intentional structure of experience. To show this mechanism at work, the paper looks into Alfonsas Nyka-Niliūnas’s project of self-creation: Sverdiolas examines the poet’s diaries to reconstruct his effort of cultivating his poetic ego along the hermeneutic lines of the existential time, while Nyka-Niliūnas himself expresses this self-conception poetically as a more general phenomenon – the phenomenon of poetic self-consciousness as such – in the poem “Autobiography 1986”.
走向文学现象学的三步:Arūnas Sverdiolas
本文概述了Arūnas斯维迪奥拉斯的学术及其学派在具体文化现象的解释学理解实践方面的方法论取向,并将这种方法引入文学现象学领域。这一尝试从话语解释学框架中对文学作品的定义开始,在这个框架中,作品被认为是一种表达对世界现象的原始把握的话语。作品的这种表达能力是通过话语的运作机制实现的,话语通过语法和指称的手段,将作品的语言形式与经验的意向结构结合起来。为了展示这种机制的作用,本文研究了Alfonsas Nyka-Niliūnas的自我创造计划:Sverdiolas研究了诗人的日记,以重构他沿着存在时间的解释学路线培养诗歌自我的努力,而Nyka-Niliūnas本人则在诗歌“自传1986”中将这种自我概念诗意地表达为一种更普遍的现象-诗歌自我意识的现象。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Problemos
Problemos PHILOSOPHY-
CiteScore
0.30
自引率
0.00%
发文量
27
审稿时长
18 weeks
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