Mapping the city from below: Approaches in charting out Latinx historical and quotidian presence in metropolitan Los Angeles: 1990–2020

Q2 Arts and Humanities
Jorge N. Leal
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引用次数: 0

Abstract

How do marginalized ethnic communities assert their presence in the American urban space? This article examines maps and location descriptions found in ‘Rock Angelino’ concert flyers, lyrics of songs, and spoken word multimedia pieces as examples of ‘mapping from below’ practices from the 1990s to the near present, which Latinxs have used to place themselves in the historical geography and cultural imaginary of Los Angeles. While people of Latin American descent have been part of Los Angeles since its founding, their presence has often been neglected and diminished in the maps created by government agencies, and in more recent times, by gentrifying real estate enterprises that inaccurately portray the past and present of Los Angeles as a White space with few selective geographical locations of communities of colour. By employing critical geography and cultural history methodologies, this piece demonstrates how Latinxs have been cartographers of their own communities. Most significantly how Latinxs employed their words and sounds as mapping tools with which to chart, examine, narrate and make visible the rich layered histories of Latinxs and communities of colour in Southern California.
从下方绘制城市地图:绘制拉丁裔在洛杉矶大都市的历史和日常存在的方法:1990–2020
边缘化的族裔社区是如何在美国城市空间中维护自己的存在的?这篇文章研究了“Rock Angelino”演唱会传单、歌词和口语多媒体作品中的地图和位置描述,作为20世纪90年代到近期“自下而上”实践的例子,拉丁裔人曾将自己置于洛杉矶的历史地理和文化想象中。虽然拉丁美洲后裔自洛杉矶成立以来一直是洛杉矶的一部分,但在政府机构绘制的地图中,他们的存在往往被忽视和减少,在最近的时代,通过将不准确地将洛杉矶的过去和现在描绘成白人空间的房地产企业绅士化,有色人种社区几乎没有选择性的地理位置。通过运用批判性的地理和文化史方法,这篇文章展示了拉丁美洲人是如何成为自己社区的制图师的。最重要的是,拉丁裔人如何利用他们的单词和声音作为绘图工具,绘制、检查、叙述和展示南加州拉丁裔和有色人种社区丰富的分层历史。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
European Journal of American Culture
European Journal of American Culture Arts and Humanities-History
CiteScore
0.60
自引率
0.00%
发文量
17
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