{"title":"A ‘New India’ for the Arab World","authors":"A. Petiwala","doi":"10.1163/18739865-01602006","DOIUrl":null,"url":null,"abstract":"\n This article investigates the formations of ‘Brand Modi’ and ‘Brand Bollywood’ and their strategic and overlapping foray into the United Arab Emirates, considering it a pivotal moment in contemporary transregional media production. Two branding campaigns form the basis of my analysis: Indian Prime Minister Narendra Modi’s highly mediatized 2015–2018 U.A.E. visits and Shah Rukh Khan’s 2016–2019 ‘#BeMyGuest’ campaign for Visit Dubai (the Emirate’s official tourism brand). Attending to questions of branding techniques, diasporic identity and historical imagination, I examine how these campaigns play on notions of the common man or aam aadmi and the upwardly-mobile and cosmopolitan ‘New Indian’ through the celebrity personas of Modi and Khan. I argue that this creation of a ‘New India’ for the Arab world seeks to efface down class connotations of India and Indians in Arab imaginaries by re-framing India as a key diplomatic and cultural-infrastructural partner of the Emirates.","PeriodicalId":43171,"journal":{"name":"Middle East Journal of Culture and Communication","volume":" ","pages":""},"PeriodicalIF":0.4000,"publicationDate":"2023-05-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Middle East Journal of Culture and Communication","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1163/18739865-01602006","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 0
Abstract
This article investigates the formations of ‘Brand Modi’ and ‘Brand Bollywood’ and their strategic and overlapping foray into the United Arab Emirates, considering it a pivotal moment in contemporary transregional media production. Two branding campaigns form the basis of my analysis: Indian Prime Minister Narendra Modi’s highly mediatized 2015–2018 U.A.E. visits and Shah Rukh Khan’s 2016–2019 ‘#BeMyGuest’ campaign for Visit Dubai (the Emirate’s official tourism brand). Attending to questions of branding techniques, diasporic identity and historical imagination, I examine how these campaigns play on notions of the common man or aam aadmi and the upwardly-mobile and cosmopolitan ‘New Indian’ through the celebrity personas of Modi and Khan. I argue that this creation of a ‘New India’ for the Arab world seeks to efface down class connotations of India and Indians in Arab imaginaries by re-framing India as a key diplomatic and cultural-infrastructural partner of the Emirates.
期刊介绍:
The Middle East Journal of Culture and Communication provides a transcultural academic sphere that engages Middle Eastern and Western scholars in a critical dialogue about culture, communication and politics in the Middle East. It also provides a forum for debate on the region’s encounters with modernity and the ways in which this is reshaping people’s everyday experiences. MEJCC’s long-term objective is to provide a vehicle for developing the field of study into communication and culture in the Middle East. The Journal encourages work that reconceptualizes dominant paradigms and theories of communication to take into account local cultural particularities.