{"title":"The “glitch” of Rabia monuments: a semiotic analysis of July 15 monuments in Turkey","authors":"Erdem Üngür","doi":"10.1017/npt.2023.24","DOIUrl":null,"url":null,"abstract":"Abstract After the coup attempt on July 15, 2016, the Turkish state started to produce a new official history of the event as a narrative of popular resistance against a military coup for the sake of democracy. This narrative with a religious aura was supported by “democracy watch” meetings and new commemoration days, museums, and monuments across Turkey. It was based on four concepts, symbolized by the Rabia sign: one nation, one homeland, one flag, and one state. However, the use of the Rabia sign has fallen from grace recently, creating a critical gap or “glitch” in the mnemonic infrastructure. This paper offers a visual categorization of July 15 monuments across Turkey and positions them in the historiography of Turkish national monuments. Finally, Rabia monuments are analyzed as a case study to show part of the complex (trans)national narratives of the “New Turkey.”","PeriodicalId":45032,"journal":{"name":"New Perspectives on Turkey","volume":"69 1","pages":"52 - 73"},"PeriodicalIF":1.7000,"publicationDate":"2023-09-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"New Perspectives on Turkey","FirstCategoryId":"90","ListUrlMain":"https://doi.org/10.1017/npt.2023.24","RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"AREA STUDIES","Score":null,"Total":0}
引用次数: 0
Abstract
Abstract After the coup attempt on July 15, 2016, the Turkish state started to produce a new official history of the event as a narrative of popular resistance against a military coup for the sake of democracy. This narrative with a religious aura was supported by “democracy watch” meetings and new commemoration days, museums, and monuments across Turkey. It was based on four concepts, symbolized by the Rabia sign: one nation, one homeland, one flag, and one state. However, the use of the Rabia sign has fallen from grace recently, creating a critical gap or “glitch” in the mnemonic infrastructure. This paper offers a visual categorization of July 15 monuments across Turkey and positions them in the historiography of Turkish national monuments. Finally, Rabia monuments are analyzed as a case study to show part of the complex (trans)national narratives of the “New Turkey.”