Post-Apocalyptic Stress Disorder in the Leftovers

Q2 Arts and Humanities
Sonia Front
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引用次数: 0

Abstract

Abstract In Tom Perrotta’s novel, The Leftovers (2011), and the TV series (2014–2017) based on the novel, 2% (140 million) of the world’s population vanish into thin air. The event constitutes a temporal rift that divides history into Before and After and inaugurates a new mode of temporality, marked by a break with a clock-time-based economy and a yearning for the ultimate end. This new mode of temporality is accompanied by the shattering of the individual sense of being-in-time. The essay focuses on the altered experience of time both on individual and collective levels, a condition that constitutes a kind of post-apocalyptic stress disorder. The characters’ reactions to the traumatic experience demonstrate that the inexplicability of the apocalyptic event and duration without closure are psychologically intolerable. As closure is impossible, they cannot work through the trauma, remaining trapped in the past event and the present anticipation of the ultimate annihilation while the future horizon becomes obliterated.
《剩菜剩菜》中的后启示录应激障碍
摘要在汤姆·佩罗塔的小说《剩饭剩饭》(2011)和根据该小说改编的电视剧(2014-2017)中,世界上2%(1.4亿)的人口消失在空气中。这一事件构成了一个时间裂缝,将历史分为前后两部分,并开启了一种新的时间模式,其标志是打破了以时钟为基础的经济,渴望最终的结局。这种新的时间性模式伴随着个体对时间存在感的粉碎。这篇文章关注的是个人和集体层面的时间体验的改变,这种情况构成了一种后启示录应激障碍。人物对创伤经历的反应表明,世界末日事件的不可解释性和没有结束的持续时间在心理上是无法容忍的。由于关闭是不可能的,他们无法度过创伤,仍然被困在过去的事件和目前对最终毁灭的预期中,而未来的地平线却被抹去了。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Studia Anglica Posnaniensia
Studia Anglica Posnaniensia Arts and Humanities-Literature and Literary Theory
CiteScore
0.60
自引率
0.00%
发文量
7
审稿时长
15 weeks
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