{"title":"The Dark Room Problem: Scapegoating and Audience Complicity in Twelfth Night","authors":"Christopher W. T. Miller","doi":"10.1080/07351690.2023.2221624","DOIUrl":null,"url":null,"abstract":"ABSTRACT In Twelfth Night (1601–02), the pressure to enforce a comedic ending competes with problematic and overtly abusive behaviors towards certain characters, particularly the steward Malvolio, who is identified as a target for scapegoating by a persecuting group. As Malvolio is subject to mounting pressures to take in the projections of the group, the mistreatment levied against him gains in cruelty, culminating with his imprisonment in a dark room. While the “pranksters” seek to drive him mad, the figures in power ensure their own narcissistically satisfying ending, at the expense of those stripped of control and dignity. The role of the audience becomes a complex matter by the end, as applauding a problematic play meant to be funny invites a degree of collusion with those who would enforce scapegoating dynamics.","PeriodicalId":46458,"journal":{"name":"Psychoanalytic Inquiry","volume":"43 1","pages":"315 - 327"},"PeriodicalIF":0.4000,"publicationDate":"2023-07-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Psychoanalytic Inquiry","FirstCategoryId":"102","ListUrlMain":"https://doi.org/10.1080/07351690.2023.2221624","RegionNum":4,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"PSYCHOLOGY, PSYCHOANALYSIS","Score":null,"Total":0}
引用次数: 0
Abstract
ABSTRACT In Twelfth Night (1601–02), the pressure to enforce a comedic ending competes with problematic and overtly abusive behaviors towards certain characters, particularly the steward Malvolio, who is identified as a target for scapegoating by a persecuting group. As Malvolio is subject to mounting pressures to take in the projections of the group, the mistreatment levied against him gains in cruelty, culminating with his imprisonment in a dark room. While the “pranksters” seek to drive him mad, the figures in power ensure their own narcissistically satisfying ending, at the expense of those stripped of control and dignity. The role of the audience becomes a complex matter by the end, as applauding a problematic play meant to be funny invites a degree of collusion with those who would enforce scapegoating dynamics.
期刊介绍:
Now published five times a year, Psychoanalytic Inquiry (PI) retains distinction in the world of clinical publishing as a genuinely monographic journal. By dedicating each issue to a single topic, PI achieves a depth of coverage unique to the journal format; by virtue of the topical focus of each issue, it functions as a monograph series covering the most timely issues - theoretical, clinical, developmental , and institutional - before the field. Recent issues, focusing on Unconscious Communication, OCD, Movement and and Body Experience in Exploratory Therapy, Objct Relations, and Motivation, have found an appreciative readership among analysts, psychiatrists, clinical psychologists and a broad range of scholars in the humanities.