Presence and exhibition of African film in Harlem

IF 0.2 0 FILM, RADIO, TELEVISION
B. Sawadogo
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引用次数: 0

Abstract

Throughout the twentieth-century American history, the circulation of African arts in the New York City runs parallel with African American activism. The African on-screen presence in Harlem needs to be examined in this broader context in order to better grasp the historical trajectory of its development in the neighbourhood and also the encounters and exchanges between Africans and African Americans. Today, the increased interest in African screen media productions result from the confluence of two phenomena: the current Black renaissance and the reconfigurations of African cinema under the influence of migration. Harlem is once again playing a pivotal role in the dissemination of African culture, specifically African cinema in the New York City.
哈莱姆区非洲电影展
在整个20世纪的美国历史上,非洲艺术在纽约市的传播与非裔美国人的激进主义并行。需要在更广泛的背景下审视非洲在哈莱姆区的银幕形象,以便更好地了解其在该地区发展的历史轨迹,以及非洲人和非裔美国人之间的相遇和交流。如今,人们对非洲银幕媒体制作越来越感兴趣,这是两种现象共同作用的结果:当前的黑人复兴和移民影响下非洲电影的重组。哈莱姆区再次在传播非洲文化方面发挥着关键作用,特别是在纽约市的非洲电影。
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来源期刊
Journal of African Cinemas
Journal of African Cinemas FILM, RADIO, TELEVISION-
CiteScore
0.40
自引率
0.00%
发文量
0
期刊介绍: The Journal of African Cinemas will explore the interactions of visual and verbal narratives in African film. It recognizes the shifting paradigms that have defined and continue to define African cinemas. Identity and perception are interrogated in relation to their positions within diverse African film languages. The editors are seeking papers that expound on the identity or identities of Africa and its peoples represented in film. The aim is to create a forum for debate that will promote inter-disciplinarity between cinema and other visual and rhetorical forms of representation.
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