The Impacts of Public Art on Cities, Places and People’s Lives

IF 0.5 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY
M. Cheung, N. Smith, Owen Craven
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引用次数: 3

Abstract

Abstract Public art’s accessibility to a broad audience and its potential to bring together individuals from diverse backgrounds have granted it a unique power to make strong, enduring impacts on cities, places and people’s lives. The impacts warrant a systematic review and categorization, the results of which will provide insights that contribute to justifying the integral place of public art in society. As no such systematic review has previously been carried out, this article seeks to provide a qualitative synthesis of original articles selected from four major databases of international journals using a combination of keyword searches and filtering procedures. The 839 articles retrieved from the initial searches were screened by title and abstract. The remaining 132 articles were read in full, with 50 studies eventually being selected for analysis and synthesis. The public art impacts identified were organized into eight categories, in terms of placemaking, society, culture, economy, sustainability, wellbeing, wisdom and innovation. Implications were then drawn with respect to future research on the impacts and evaluation of public art.
公共艺术对城市、场所和人们生活的影响
公共艺术对广大观众的可及性及其将不同背景的个人聚集在一起的潜力赋予了它独特的力量,对城市、地方和人们的生活产生了强大而持久的影响。这些影响需要进行系统的审查和分类,其结果将提供有助于证明公共艺术在社会中不可或缺的地位的见解。由于以前没有进行过这样的系统评价,本文试图使用关键词搜索和过滤程序的组合,从四个主要的国际期刊数据库中选择原创文章,提供一个定性的综合。从初始检索中检索到的839篇文章按标题和摘要进行筛选。剩下的132篇文章被全文阅读,其中50篇研究最终被选中进行分析和综合。公共艺术对社会、文化、经济、可持续发展、福祉、智慧和创新的影响被划分为八个类别。然后,就公共艺术的影响和评估的未来研究提出了建议。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
JOURNAL OF ARTS MANAGEMENT LAW AND SOCIETY
JOURNAL OF ARTS MANAGEMENT LAW AND SOCIETY HUMANITIES, MULTIDISCIPLINARY-
CiteScore
1.50
自引率
0.00%
发文量
33
期刊介绍: How will technology change the arts world? Who owns what in the information age? How will museums survive in the future? The Journal of Arts Management, Law, and Society has supplied answers to these kinds of questions for more than twenty-five years, becoming the authoritative resource for arts policymakers and analysts, sociologists, arts and cultural administrators, educators, trustees, artists, lawyers, and citizens concerned with the performing, visual, and media arts, as well as cultural affairs. Articles, commentaries, and reviews of publications address marketing, intellectual property, arts policy, arts law, governance, and cultural production and dissemination, always from a variety of philosophical, disciplinary, and national and international perspectives.
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