Evaluating the Relationship between Linguistic and Literary Elements with Author’s Ideology in Saeed Akef’s Works

Hamid Jafari Ghariyeh Ali, Zahra Sayyedyazdi, Nahid Miri
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Abstract

Abstract The present study examines the works of Saeed Akef, as a major writer of the Holy Defense Literature, in terms of linguistic signs and how they are employed to convey ideas. A close analysis of such works reveals how linguistic  and literary techniques are employed in the service of an ideological apparatus. The results indicate that the author’s intimate eloquence and abundant use of rhetorical techniques and Qur’anic terms, intentional and functional titles, allusive language, and religious satire are key features of Akef’s ideologically intense discourse. 1. Introduction The imposed war against Iran was undeniably a period of crisis and difficulties, yet it brought about blessings, particularly in the postwar era. Some scholars and artists, some of whom had first-hand experience of the war, depicted a victorious and epic image of the event through their memories and works. Saeed Akef is a literary figure in Resistance Literature. His memories and writings reflect his own experience as well as companionship with soldiers in the war. The Story of Winter, The Soft Soils of Kushk, Embankment Vacancy, Dance in the Heart of Fire, The Heavenly Travelers, Hajar in Waiting, Wonderful Memories, and Breeze of Destiny are some of his notable books. 2. Discussion Language carries and forms, and is also formed by, the dominant ideology. Any individual writing is a conscious or unconscious reflection of the personal ontology, values, attitudes, feelings, and prejudices of the time he lives in. Thus, verbal actions and reactions are closely associated with certain social belief systems (Fotouhi, 2013: 345). A linguistic and semiotic analysis of memoirs and the literature of the Holy Defense reveals that they follow a densely ideological discourse and are replete with value-bound elements. These features distinguish the Holy Defense literature from other contemporary writings. 2.1. Linguistic elements and induction of thought Words and expressions with religious connotations are linguistic notions projecting the inner feelings of the writer. They are highly motivating and link the writer's intention with the textual interpretation of the writing. Akef’s oeuvre abounds with his ideological orientations and represents omnipresence of God in human life, and the functionality of the Holy Book, and belief in the other world in realizing human aspirations. 2.2. Interactions between the literature and ideology Literary techniques and rhetorical aesthetics are rarely observed in the works of Akef. In fact, he adopts a simple and direct discourse in conveying the intended idea to the reader and mostly averts literary figures such as symbolism and metaphoric language. 3. Conclusion A linguistic examination of the writings of Saeed Akef shows that colloquial and direct language is the stylistic key he adopts in rendering his ideas and keeping the interest of his readers. Results of our analysis demonstrate that religious and revolutionary terms, mystic discourse, emphatic rhetoric, allusions, and metaphor are linguistic features of the writings of Akef. Indeed, these linguistic constructs are employed by the writer to induce the envisioned value system.
从作者意识形态看赛义德作品中语言与文学元素的关系
摘要本研究从语言符号以及语言符号如何被用来传达思想的角度,考察了神圣防御文学的主要作家赛义德·阿克夫的作品。对这些作品的仔细分析揭示了语言和文学技巧是如何为意识形态机构服务的。结果表明,作者的亲密雄辩和大量使用修辞技巧和《古兰经》术语、有意的和功能性的标题、暗指语言和宗教讽刺是阿克夫意识形态激烈话语的关键特征。1.引言对伊朗的强加战争无疑是一个充满危机和困难的时期,但它带来了祝福,尤其是在战后。一些学者和艺术家,其中一些人对战争有第一手经验,通过他们的记忆和作品描绘了这场战争的胜利和史诗般的形象。赛义德·阿克夫是抵抗文学中的一位文学人物。他的记忆和作品反映了他自己的经历以及在战争中与士兵的友谊。《冬天的故事》、《Kushk的软土》、《堤岸空地》、《火之心的舞蹈》、《天堂旅行家》、《等待中的哈贾》、《奇妙的回忆》和《命运的微风》是他的一些著名书籍。2.讨论语言承载和形成了主流意识形态,也是由主流意识形态形成的。任何个人写作都是对他所处时代的个人本体论、价值观、态度、感受和偏见的有意识或无意识的反映。因此,言语行为和反应与某些社会信仰体系密切相关(Fotouhi,2013:345)。对回忆录和神圣防御文学的语言学和符号学分析表明,它们遵循着密集的意识形态话语,充满了有价值的元素。这些特点使《神圣的防御》文学区别于其他当代作品。2.1语言要素和思想归纳具有宗教含义的词语是投射作者内心感受的语言概念。它们具有高度的激励性,并将作者的意图与作品的文本解释联系起来。阿克夫的作品充满了他的思想取向,代表了上帝在人类生活中的无处不在,以及《圣书》的功能,以及对另一个世界实现人类愿望的信念。2.2.文学与意识形态的互动在阿凯夫的作品中很少看到文学技巧和修辞美学。事实上,他在向读者传达意图时采用了简单直接的话语方式,并大多回避象征主义和隐喻语言等文学形象。3.结论对赛义德·阿克夫作品的语言学考察表明,口语和直接的语言是他表达思想和保持读者兴趣的风格关键。我们的分析结果表明,宗教和革命术语、神秘话语、强调修辞、典故和隐喻是阿克夫作品的语言特征。事实上,这些语言结构被作者用来诱导所设想的价值体系。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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