Papeis sociais de gênero.

R. Malta, Jonathan Dos Santos, Wesley Andrade, Heloísa Costa Idalino da Silva
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引用次数: 0

Abstract

This article proposes to analyze scenes of childbirth broadcasted by Brazilian soap operas broadcasted along four decades, carefully selected, aiming to identify the gender relations there inscribed, explicit or vailed. Therefore, we have opted by two complementary methods, the Content Analysis and the Analysis of Moving Images. For the discussion, we have considered especially authors belonged to the fields of Gender Studies and Social Communication centered on teledramaturgy, as well as the ones who study the childbirth as a social event and its fictional representation.As a result, we have identified three central axes, when converged, imprison the parturient and convert her into a biologically needed body, without her right/power to give birth. The lack of problematization regarding gender inequality in fictional childbirth, symptomatically, contributes for its naturalization.
社会性别角色。
本文拟对巴西肥皂剧播出40年来精心挑选的分娩场景进行分析,旨在确定其中所包含的、明确的或隐含的性别关系。因此,我们选择了两种互补的方法,即内容分析和运动图像分析。在讨论中,我们特别考虑了以电视剧学为中心的性别研究和社会传播领域的作者,以及将分娩作为社会事件及其虚构表现进行研究的作者。因此,我们已经确定了三个中轴线,当它们融合在一起时,就会囚禁孕妇,把她转化为生理上需要的身体,使她没有生育的权利/权力。在虚构的分娩中,缺乏对性别不平等的问题化,从症状上说,有助于其归化。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
自引率
0.00%
发文量
9
审稿时长
24 weeks
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