Liberating genealogies in Amman: Urban histories between a colonizing legacy and a decolonizing illusion

IF 1.6 2区 历史学 Q1 ANTHROPOLOGY
R. Rabady, Shatha Abu-Khafajah
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引用次数: 0

Abstract

Colonialism operated in Amman through a matrix of power generated from a Western emphasis on its biblical and classical pasts. The cultural dominance of this matrix persisted in the postcolonial period. It perpetuated the coloniality of knowledge and the coloniality of being as it accentuated Western imperial pasts and marked the local – whether heritage or something else – as marginal. Coloniality is reflected in the successive planning and regeneration projects of Amman’s place of origin: Amman Valley (Wadi Amman). A postcolonial approach is usually used to discuss these projects on the basis of locals’ “otherness” and passivity. However, we shift the discussion toward examining local intelligence as having the power to resist the persistent colonial matrix, using the example of an art initiative by local activists in Wadi Amman as part of its regeneration. Using the concept of decoloniality, this article grapples with local knowledge and being in Wadi Amman and their capacity to turn urban heritage spaces into places of resistance. It reveals that despite the resistance potential in urban heritage spaces, the persistent colonial matrix of power reduces them to spaces of illusion. Because of the cultural dominance of the art initiative in Wadi Amman and the marginalization of locality, we conclude that resistance itself is being colonized and decoloniality is but an illusion. In line with decolonial theory, we call for a geopolitical turn that allows us to unfold the different shapes of struggle in the urban heritage spaces of postcolonial cities in order to locate, celebrate, and criticize the liberating genealogies found in them.
安曼的解放宗谱:殖民遗产与非殖民化幻想之间的城市历史
在安曼,殖民主义通过西方对其圣经和古典历史的强调所产生的权力矩阵运作。这个母体的文化主导地位在后殖民时期持续存在。它延续了知识的殖民主义和存在的殖民主义,因为它强调了西方帝国的过去,并将当地的东西——无论是遗产还是其他东西——标记为边缘。殖民主义反映在安曼原产地安曼谷(Wadi Amman)的连续规划和重建项目中。在当地人的“他者性”和被动性的基础上,通常采用后殖民的方法来讨论这些项目。然而,我们将讨论转向审视当地的智慧,作为抵抗持续的殖民矩阵的力量,并以瓦迪安曼当地活动家的艺术倡议为例,作为其再生的一部分。本文运用非殖民化的概念,探讨了当地的知识和在瓦迪安曼的存在,以及他们将城市遗产空间转变为抵抗场所的能力。它揭示了尽管城市遗产空间具有抵抗潜力,但持久的权力殖民矩阵将它们减少为幻想空间。由于艺术倡议在瓦迪安曼的文化主导地位和地方的边缘化,我们得出结论,抵抗本身正在被殖民化,非殖民化只是一种幻觉。根据非殖民化理论,我们呼吁地缘政治转向,使我们能够在后殖民城市的城市遗产空间中展开不同形式的斗争,以便定位,庆祝和批评其中发现的解放谱系。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
3.10
自引率
8.30%
发文量
9
期刊介绍: The Journal of Social Archaeology is a fully peer reviewed international journal that promotes interdisciplinary research focused on social approaches in archaeology, opening up new debates and areas of exploration. It engages with and contributes to theoretical developments from other related disciplines such as feminism, queer theory, postcolonialism, social geography, literary theory, politics, anthropology, cognitive studies and behavioural science. It is explicitly global in outlook with temporal parameters from prehistory to recent periods. As well as promoting innovative social interpretations of the past, it also encourages an exploration of contemporary politics and heritage issues.
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