Reexamining “uniformity” at Teotihuacan

Q1 Arts and Humanities
Sarah C. Clayton
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引用次数: 1

Abstract

As North America’s largest city during the first half millennium CE, Teotihuacan stands out in many ways. Its growth in the northeastern Basin of Mexico transformed the immediate area into a bustling, urban landscape marked by grand monuments, and the surrounding region into a political territory subject to a powerful state. A key part of this trajectory was the development of a complex economy entailing the circulation of goods within the city and along networks that linked surrounding communities. It is highly likely that Teotihuacan had a thriving market system that included neighborhood-scale and large, central marketplaces (Clayton 2015b; Millon 1973; Sullivan 2006). Many of the durable goods that were used in household contexts at Teotihuacan were mass-produced in large workshops. Some of these were centrally located (Cowgill 2015; Múnera Bermúdez 1985); others were embedded within residential neighborhoods across the city and on its suburban margins (Cabrera Cortés 2011; Gómez Chávez 1996; Millon 1973). The prolific use of molds in ceramic production made it possible to expediently create virtually identical vessels, masks, figurines, and ornaments. Mass production in the context of a market economy meant that countless “copies” of objects could be widely distributed to households across the city and in outlying communities. These circumstances would have resulted in considerable
重新审视特奥蒂瓦坎的“统一性”
特奥蒂瓦坎在公元前半个世纪是北美最大的城市,在许多方面都很突出。它在墨西哥东北部盆地的发展将周边地区变成了一片繁华的城市景观,并以宏伟的纪念碑为标志,而周围地区则变成了一个受强大国家管辖的政治领土。这一轨迹的一个关键部分是复杂经济的发展,这需要商品在城市内以及沿着连接周围社区的网络进行流通。Teotihuacan很可能拥有一个繁荣的市场体系,包括社区规模和大型中央市场(Clayton 2015b;Millon 1973;Sullivan 2006)。Teotihuacan在家庭环境中使用的许多耐用品都是在大型车间大规模生产的。其中一些位于市中心(Cowgill 2015;Múnera Bermúdez 1985);其他人则分布在整个城市的住宅区和郊区边缘(Cabrera Cortés 2011;戈麦斯·查韦斯1996;Millon 1973)。模具在陶瓷生产中的大量使用使得可以方便地制作几乎相同的器皿、面具、雕像和装饰品。市场经济背景下的大规模生产意味着无数物品的“复制品”可以广泛分发给城市和偏远社区的家庭。在这种情况下
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来源期刊
Res: Anthropology and Aesthetics
Res: Anthropology and Aesthetics Arts and Humanities-Visual Arts and Performing Arts
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期刊介绍: Res is a journal of anthropology and comparative aesthetics dedicated to the study of the object, in particular cult and belief objects and objects of art. The journal brings together, in an anthropological perspective, contributions by philosophers, art historians, archaeologists, critics, linguists, architects, artists, and others. Its field of inquiry is open to all cultures, regions, and historical periods. Res also seeks to make available textual and iconographic documents of importance for the history and theory of the arts.
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