Study Of Music Performance The Orches Group Pancaran Senja Melayu Village Batu Besar Nongsa Batam

Rivaldi Ihsan
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Abstract

The study of musical performances in this study focuses on the musical performance itself. Where music performance events are present through two important roles, namely musicians and audiences who are the center when the music performance takes place. The success of a musical performance is through a procession of intense rehearsals, ongoing performances, and evaluations after musical performances. This study is a qualitative analytic description of the Pancaran Senja Malay Orchestra music group at Kampung Melayu Batu Besar Nongsa Batam. The research methods are field observations, interviews, literature studies, and participant observers. The results of the research are; that the success of the Pancaran Senja Malay Orchestra music performance until now has gone through the stages of the rehearsal process, show flight hours, and performance evaluation for the progress of the Pancaran Senja Malay Orchestra. This procession was born through discussion and agreement among fellow musicians, so that the continuity and survival of the Pancaran Senja Malay Orchestra music group was established.
巴淡岛巴图巴沙农沙村兰乐团音乐表演研究
本研究对音乐表演的研究主要集中在音乐表演本身。音乐表演活动通过两个重要角色呈现,即音乐家和观众,他们是音乐表演的中心。音乐表演的成功是通过一系列紧张的排练、持续的表演和音乐表演后的评估。这项研究是对巴淡岛甘榜马拉育巴图巴沙农沙马来管弦乐团的定性分析描述。研究方法包括实地观察、访谈、文献研究和参与者观察。研究结果如下:;潘卡兰·森加马来乐团音乐演出的成功到目前为止,已经经历了排练过程、演出飞行时间以及对潘卡兰·森加马来乐团进步的表演评估等阶段。这一游行是在同行音乐家的讨论和协议中诞生的,从而建立了Pancaran Senja马来管弦乐团音乐团体的连续性和生存性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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