The World Poetics of Lockdown in Pandemic Poetry

IF 0.4 0 LITERATURE
Anhiti Patnaik
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引用次数: 2

Abstract

This essay uses contemporary theories on World Literature to discuss two anthologies of pandemic poetry: Singing in the Dark: A Global Anthology of Poetry Under Lockdown, and And We Came Outside and Saw the Stars Again: Writers from Around the World on the Covid-19 Pandemic. These anthologies develop a new criticality on issues of migration, biopower, and inequality that have long “plagued” cultures of late capitalism. As they represent various states of lockdown imposed around the world due to the spread of the coronavirus, the anthologies grapple with the paradoxical experience of the “singular-universal” that comes with living in a pandemic. By emphasizing the untranslatability of diverse bodies, races, cultures, and languages, these anthologies deconstruct the perceived synchrony of experiencing lockdown. This essay reveals how they attempt to deconstruct the Eurocentrism of “World Literature” by reconfiguring the category of the “global” and representing collective trauma.
流行病诗歌中的封锁世界诗学
本文运用当代世界文学理论,讨论了两本疫情诗歌选集:《在黑暗中歌唱:封锁下的全球诗歌选集》和《我们来到外面再次看到星星:来自世界各地的作家关于新冠肺炎疫情》。这些选集对长期“困扰”晚期资本主义文化的移民、生物权力和不平等问题提出了新的批评。由于它们代表了由于冠状病毒的传播而在世界各地实施的各种封锁状态,这些选集努力应对生活在疫情中所带来的“独特的普遍性”的矛盾体验。通过强调不同身体、种族、文化和语言的不可翻译性,这些选集解构了体验封锁的同步性。本文揭示了他们如何试图通过重新配置“全球”的范畴和表现集体创伤来解构“世界文学”的欧洲中心主义。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Journal of World Literature
Journal of World Literature Arts and Humanities-Literature and Literary Theory
CiteScore
1.90
自引率
50.00%
发文量
23
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