{"title":"The Tyrannical Mother in Mexican Telenovelas","authors":"J. Tate","doi":"10.7560/slapc4008","DOIUrl":null,"url":null,"abstract":"Abstract:Motherhood is an identity category that carries considerable weight in Mexican society and cultural expressions. The cult of motherhood means that a woman and her worth are often measured by her relationship to maternity. The closer that she comes to meeting the standards of Marianism (modeled by the figure of the Virgin of Guadalupe), the more likely she is to be seen as a good woman. This trope is a standard feature in telenovelas, where the good woman (la buena) is or longs to be a mother, whereas the bad woman (la mala) rejects maternity. There is another female character, however, who eludes these categories—the tyrannical mother. She is a woman whose controlling, manipulative, and often criminal behavior lands her squarely in the category of la mala. Yet she is not subject to the same terrible fate that befalls the childless mala, often in the form of death, disfigurement, or imprisonment. Here I argue that it is maternity that provides the tyrannical mother protection from the more extreme punishments experienced by childless malas. The examples that I point to are Cuna de lobos (1986, 2019), Soy tu dueña (2010) and Abismo de pasión (2012).","PeriodicalId":53864,"journal":{"name":"STUDIES IN LATIN AMERICAN POPULAR CULTURE","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2022-05-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"STUDIES IN LATIN AMERICAN POPULAR CULTURE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7560/slapc4008","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 0
Abstract
Abstract:Motherhood is an identity category that carries considerable weight in Mexican society and cultural expressions. The cult of motherhood means that a woman and her worth are often measured by her relationship to maternity. The closer that she comes to meeting the standards of Marianism (modeled by the figure of the Virgin of Guadalupe), the more likely she is to be seen as a good woman. This trope is a standard feature in telenovelas, where the good woman (la buena) is or longs to be a mother, whereas the bad woman (la mala) rejects maternity. There is another female character, however, who eludes these categories—the tyrannical mother. She is a woman whose controlling, manipulative, and often criminal behavior lands her squarely in the category of la mala. Yet she is not subject to the same terrible fate that befalls the childless mala, often in the form of death, disfigurement, or imprisonment. Here I argue that it is maternity that provides the tyrannical mother protection from the more extreme punishments experienced by childless malas. The examples that I point to are Cuna de lobos (1986, 2019), Soy tu dueña (2010) and Abismo de pasión (2012).
摘要:母亲身份是一个在墨西哥社会和文化表达中具有相当分量的身份类别。对母性的崇拜意味着,一个女人和她的价值往往是通过她与母性的关系来衡量的。她越接近Marianism(以瓜达卢佩圣母的形象为原型)的标准,就越有可能被视为一个好女人。这种比喻是电视小说的标准特征,好女人(la buena)是或渴望成为母亲,而坏女人(la mala)拒绝生育。然而,还有另一个女性角色却避开了这些类别——暴虐的母亲。她是一个控制欲强、操纵欲强、经常犯罪的女人,她的行为完全属于la mala。然而,她并没有像没有孩子的马拉那样遭遇可怕的命运,通常是死亡、毁容或监禁。在这里,我认为正是母性为暴虐的母亲提供了保护,使其免受无子疟疾带来的更极端的惩罚。我指出的例子是Cuna de lobos(1986年、2019年)、Soy tu dueña(2010年)和Abismo de pasión(2012年)。