Feminism in song of jineman kenya ndesa laras slendro pathet sanga

Sukesi Rahayu, Katrhryn Emerson, Phakkharawat Sittiprapaporn
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引用次数: 0

Abstract

AbstractFeminism in Sukesi Rahayu's Jineman Kenya Ndesa laras slendro pathet sanga is a study that reviews feminist discourses on the creation of gamelan music based on the issues of gender equality between women and men. The purpose of this research is to prove and show that the creation of Javanese karawitan is not only based on male paradigm domination, but women also have a role in speaking out about feminism through karawitan works. The research methodology used is descriptive qualitative by positioning the object of study as the primary focus and writings on feminism as supporting sources. The results of this study indicate that in Sukesi Rahayu's Jineman Kenya Ndesa Slendro Sanga, there is feminist content, namely an attempt to elevate the dignity of women, which in this case is sindhen, within the scope of Javanese art culture as well as women in general.Keywords: Feminism; Sindhenan; Javanese culture
金曼之歌中的女权主义肯尼亚
摘要苏克西·拉哈尤的《吉曼·肯亚·恩德萨·拉拉斯·斯连德罗·帕特·桑加》中的女性主义是一项基于男女平等问题对佳美兰音乐创作中的女性主义话语的研究。本研究的目的是为了证明和展示爪哇卡拉维坦的创作不仅基于男性范式的统治,而且女性也可以通过卡拉维坦作品来表达女权主义。使用的研究方法是描述性定性的,将研究对象定位为主要焦点,将女权主义著作定位为辅助来源。本研究的结果表明,在Sukesi Rahayu的Jineman Kenya Ndesa Slendro Sanga中,存在着女权主义的内容,即在爪哇艺术文化以及一般女性的范围内,试图提升女性的尊严,在这种情况下是sindhen。关键词:女性主义;Sindhenan;爪哇文化
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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