On the poetics of emotions and the world’s tenderness in V. Nabokov’s short story Beneficence [Blagost]

Q4 Arts and Humanities
M. Ułanek
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引用次数: 0

Abstract

The article analyses and interprets the short story Beneficence [Blagost] (1924), penned by V. Nabokov during his Berlin period of emigration. The author selected the short story for several reasons. Firstly, it appeals as an example of genre transformation of a love story and demonstrates the multidimensionality of the concept of love; secondly, the protagonist arouses interest as an empathetic narrator whose utterances reveal a complex structure; and thirdly, due to the ways in which the meaning of the title correlates with the decoded concept of the world’s tenderness. The writer’s strategy and the poetics of emotions uncover the core meaning of a reminiscence as a cognitive act and transformation of the hero’s consciousness, i. e., his understanding of love and happiness. The protagonist proceeds to discover happiness on a different plane of existence — in the relationship of ‘me and the world,’ in the harmony of the universe, and in the convergence of the micro- and macrocosms. Taking this into account, it appears that Nabokov’s portrayal of tenderness is endowed with a sacred meaning and reaches completion in the formula ‘me for the Other.’
论纳博科夫短篇小说《善意》中的情感诗学与世界温柔
本文对纳博科夫在移居柏林期间创作的短篇小说《仁慈》(1924)进行了分析和解读。作者选择这篇短篇小说有几个原因。首先,它是爱情故事类型转换的典范,展现了爱情观念的多维性;其次,主人公作为一个感同身受的叙述者引起了读者的兴趣,他的话语揭示了一个复杂的结构;第三,由于标题的含义与世界温柔的解码概念相关的方式。作者的策略和情感诗学揭示了回忆作为一种认知行为和主人公意识的转化的核心意义,即他对爱情和幸福的理解。主人公在“我与世界”的关系中,在宇宙的和谐中,在微观世界与宏观世界的融合中,在另一个层面上发现了幸福。考虑到这一点,纳博科夫对温柔的描绘似乎被赋予了神圣的意义,并在“我为他者”的公式中完成。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Voprosy Literatury
Voprosy Literatury Arts and Humanities-Literature and Literary Theory
CiteScore
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