{"title":"Clearing tables, dancefloors, and record stacks: an afterword","authors":"John L. Jackson","doi":"10.1080/17528631.2017.1394614","DOIUrl":null,"url":null,"abstract":"Blastmaster KRS-One first piqued my interest in Africana Hebrewisms. The boom-bap, boom-bap, boom-bap of drum machines’ staccato incantations served as an acoustic backdrop for his poetic formulati...","PeriodicalId":39013,"journal":{"name":"African and Black Diaspora","volume":"11 1","pages":"221 - 227"},"PeriodicalIF":0.0000,"publicationDate":"2018-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/17528631.2017.1394614","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"African and Black Diaspora","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/17528631.2017.1394614","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Social Sciences","Score":null,"Total":0}
引用次数: 0
Abstract
Blastmaster KRS-One first piqued my interest in Africana Hebrewisms. The boom-bap, boom-bap, boom-bap of drum machines’ staccato incantations served as an acoustic backdrop for his poetic formulati...