{"title":"The Circulation of Memory: Bahaettin Rahmi Bediz’s Postcards of Crete 1897–1909","authors":"Rachel F. Ainsworth","doi":"10.5325/MEDITERRANEANSTU.26.1.0026","DOIUrl":null,"url":null,"abstract":"abstract:This article discusses the postcard repertoire of Bahaettin Rahmi Bediz (1875–1951), a Cretan-Turkish photographer working in Candia, Crete. The article contends that Bahaettin’s work as a local photographer should be examined through what Michèle Hannoosh calls a “Mediterranean context.” This approach evaluates early photographic practices and visual representations alongside the varied networks of political and cultural subjectivities within a rapidly shifting Mediterranean region during the late nineteenth and early twentieth centuries. By analyzing Bahaettin’s work through the lens of a Mediterranean context, one can read Bahaettin’s affective voice within his images, as he documents radical political changes on the island.","PeriodicalId":85059,"journal":{"name":"Korea & world affairs","volume":"26 1","pages":"26 - 53"},"PeriodicalIF":0.0000,"publicationDate":"2018-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Korea & world affairs","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5325/MEDITERRANEANSTU.26.1.0026","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
abstract:This article discusses the postcard repertoire of Bahaettin Rahmi Bediz (1875–1951), a Cretan-Turkish photographer working in Candia, Crete. The article contends that Bahaettin’s work as a local photographer should be examined through what Michèle Hannoosh calls a “Mediterranean context.” This approach evaluates early photographic practices and visual representations alongside the varied networks of political and cultural subjectivities within a rapidly shifting Mediterranean region during the late nineteenth and early twentieth centuries. By analyzing Bahaettin’s work through the lens of a Mediterranean context, one can read Bahaettin’s affective voice within his images, as he documents radical political changes on the island.