Daidokoro Monogatari: Stories of the Japanese house from the kitchen

IF 0.1 0 ARCHITECTURE
Noemí Gómez Lobo, Diego Martín Sánchez
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Abstract

Contemporary living conditions are just a snapshot of an ever-changing social apparatus. A cloud of preconceptions manifests itself in the form of expectations when designing a house, revealing that architectural practice is gender-charged. It is embedded in a particular cultural context at a specific historical moment and is therefore affected by assumptions that link certain behaviors as appropriate for the sexed body1. These gender norms are part of the set of rules codified as spatial arrangements. In particular, residential architecture incorporates cultural notions of family, which are closely related to the roles assigned to each member. Japan presents a fertile ground if we are to analyze the detached house. It is not only notable for the quantity of houses built, but also for their quality. Some of the most memorable works of architecture are Japanese detached houses. However, although they enjoy worldwide recognition for their innovative proposals and have been intensively examined in terms of their aesthetic attributes, their gender dimension remains relatively unexplored.
Daidokoro Monogatari:从厨房看日本房子的故事
当代的生活条件只是不断变化的社会机器的一个缩影。在设计房子时,先入为主的观念以期望的形式表现出来,这表明建筑实践是带有性别色彩的。它在特定的历史时刻嵌入到特定的文化背景中,因此受到将某些行为联系起来的假设的影响,这些行为适合性身体1。这些性别规范是作为空间安排编纂的一套规则的一部分。特别是,住宅建筑融入了家庭的文化观念,这与分配给每个成员的角色密切相关。如果我们要分析独立式住宅,日本是一片沃土。它不仅因建造的房屋数量而引人注目,而且因其质量而引人注目。一些最令人难忘的建筑作品是日本的独立式房屋。然而,尽管他们的创新建议得到了全世界的认可,并在美学属性方面受到了深入研究,但他们的性别维度仍然相对未被探索。
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