Writing as Witnessing, Poetry as Agency of Aid: The Five Poems from Typhoon Yolanda Relief Anthologies

Vac Ann C. Dadia
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引用次数: 0

Abstract

The strong typhoon Yolanda (international name: Haiyan), which buffeted the central Philippine region on November 2013 spurred the publication of several relief anthologies, so-called because they were primarily intended to raise funds for the disaster victims. This paper argues that as a distinct method of volunteerism, the poems that comprise the Yolanda relief anthologies are ecopoems which not only bear intrinsic ecological themes that confront an environment in crisis but also embody what Filipino poet Luisa A. Igloria describes as a "work of witness and deep engagement" in a time of climate and humanitarian crisis. In analyzing the five poems from two Yolanda relief anthologies, namely, Agam: Filipino Narratives on Uncertainty and Climate Change and Verses Typhoon Yolanda: A Storm of Filipino Poets , this paper utilizes the theories developed by the Filipino poets who are themselves contributors to these relief anthologies, specifically on how poetry is an act of witnessing and functions as an agency of symbolic aid. The findings contribute to the discourse on ethical literature and thus suggest that the existing brand of Philippine ecopoetry allows for poems that articulate empathic and hopeful agency towards climate-related disaster survivors.
以书写为见证,以诗为援助:“约兰达”台风赈灾诗集中的五首诗
2013年11月,强台风尤兰达(国际名称:海燕)袭击了菲律宾中部地区,促使出版了几本救援选集,之所以称之为“救援选集”,主要是为了为灾民筹集资金。本文认为,作为一种独特的志愿服务方法,约兰达救济选集中的诗歌是生态诗,它们不仅具有面对危机环境的内在生态主题,而且体现了菲律宾诗人路易莎·a·伊洛里亚所描述的在气候和人道主义危机时期的“见证和深度参与的作品”。在分析《阿甘:菲律宾对不确定性和气候变化的叙述》和《台风尤兰达:菲律宾诗人的风暴》两本尤兰达救济文集中的五首诗时,特别是关于诗歌如何是一种见证行为,如何作为一种象征性援助的机构发挥作用。这些发现有助于对伦理文学的讨论,因此表明菲律宾生态诗歌的现有品牌允许诗歌表达对气候相关灾难幸存者的同情和希望。
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