Improvisation and Planning: Engaging With Unforeseen Encounters in Urban Public Space

IF 1.7 Q3 URBAN STUDIES
Anne-Lene Sand, Anniken Førde, John Pløger, Mathias Poulsen
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引用次数: 1

Abstract

Despite the significant emphasis in Scandinavian cities on vital urban spaces and creative unfolding in urban development, there is a tendency towards designing for “finished” urban spaces with a pre-defined conclusion. The result is often standardised design and staged play, ignoring the diversity of lived experiences taking place in the here and now. How can urban spaces be generated to accommodate unforeseen encounters fostering moments of intensity, affect, and disorder? In this article, we explore the potential of improvisation in urban spaces by examining how urban public spaces facilitate improvisation in interactions between places, senses, materials, and participants. Improvisation is understood as a productive force in urban development that gives space to what occurs in urban encounters. The article draws on Richard Sennett’s concept of “disorder” and Jennifer Mason’s concept of “affinity.” By using design experiments and sensory and visual methods inspired by ethnographic methodology the article analyses two improvisational practices occurring in public spaces in Norway and Denmark, which emphasise the performative, affective, and sensory elements of urban life. The analysis brings forth a discussion of how improvisation unfolds in multimodal urban encounters, between order and disorder, and sensory and emotional connections. The authors argue for a more place-sensitive form of city-making and more improvisatorial urban designs that stimulate varied, spontaneous, and changeable use.
即兴创作与规划:城市公共空间中的意外邂逅
尽管斯堪的纳维亚城市非常重视重要的城市空间和城市发展中的创造性发展,但人们倾向于设计具有预定义结论的“成品”城市空间。其结果往往是标准化的设计和舞台剧,忽略了此时此地发生的生活体验的多样性。如何生成城市空间,以适应不可预见的相遇,培养强度、影响和混乱的时刻?在这篇文章中,我们通过研究城市公共空间如何在场所、感官、材料和参与者之间的互动中促进即兴创作,来探索即兴创作在城市空间中的潜力。即兴创作被理解为城市发展中的一种生产力,它为城市遭遇中发生的事情提供了空间。本文借鉴了Richard Sennett的“无序”概念和Jennifer Mason的“亲和”概念。通过受人种学方法启发的设计实验以及感官和视觉方法,分析了挪威和丹麦公共空间中发生的两种即兴实践,它们强调了城市生活的表演、情感和感官元素。该分析讨论了即兴创作如何在多模式的城市遭遇中展开,在秩序与无序以及感官与情感联系之间展开。作者主张采用一种更具地方敏感性的城市制作形式,以及更即兴的城市设计,激发多样化、自发和多变的用途。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Urban Planning
Urban Planning URBAN STUDIES-
CiteScore
3.60
自引率
5.60%
发文量
124
审稿时长
12 weeks
期刊介绍: Urban Planning is a new international peer-reviewed open access journal of urban studies aimed at advancing understandings and ideas of humankind’s habitats – villages, towns, cities, megacities – in order to promote progress and quality of life. The journal brings urban science and urban planning together with other cross-disciplinary fields such as sociology, ecology, psychology, technology, politics, philosophy, geography, environmental science, economics, maths and computer science, to understand processes influencing urban forms and structures, their relations with environment and life quality, with the final aim to identify patterns towards progress and quality of life.
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