Liturgical chant bibliography 30

IF 0.5 1区 艺术学 0 MEDIEVAL & RENAISSANCE STUDIES
Raquel Rojo Carrillo, Marie Winkelmüller-Urechia
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引用次数: 0

Abstract

After more than a year of challenges caused by the COVID-19 pandemic, we hope that you and your loved ones have managed to remain healthy, active and as happy as possible. The delay of several publications has resulted in a LCB slightly shorter than those produced in the years ante coronam. The list of publications included in this year’s LCB shows that our field is thriving despite the various challenges. We are committed to fill any possible gaps in upcoming LCBs, hoping that the numbers of COVID-19 cases decrease and allow restrictions to ease. As occurred with LCB 29, this year’s LCB was produced under the challenges linked with the pandemic. We were faced again with libraries either entirely closed or with restricted access. In times like this, we are even more grateful for the help and generosity of colleagues and librarians who very kindly provided us with lists of the most recent publications in the field, and even with pictures of the indexes of publications that we would have otherwise been unable to access. We thank them very much for their effort and collaboration. This year brought two editions of importance, the first being a Liber ordinarium from the diocese of Freising near Munich, continuing the long series of F.K. Prassl’s team. The other is a critical edition of the Jistebnice Kancionál by Hana Vlhová-Wörner. The Slovakian team published a series of publications on the Missale Notatum Bratislava, Ústredna knižnica Slovenskej akadémie vied Rkp. zv. 387. Fragmentary sources feature as an important topic this year, with twelve publications related to or building on the worldwide Fragmentarium Project, and with the development of a fragments’ database as well (30005, 30017k, 30018e, 30022d, 30028, 30032, 30045a, 30045b, 30051, 30082, 30086, 30096). These achievements have a great potential of prompting future investigations on fragments, and we hope to see new titles related to this topic in future LCBs. Also worth mentioning is the development of the Catalogue des manuscrits notés en neumes français de la Bibliothèque nationale de France (30095), a database that gathers, describes and aids the analyses of notated manuscripts from this important library. This database aims to help researchers in search of notational influences and concordances. Wewish you, dear reader, the most productive time despite the pandemic. Wewill hopefully meet again soon. For any question, suggestion, and/or bibliographic information, you can reach us through the email address: liturgchantbiblio@gmail.com.We thank you in advance for your help.
礼仪圣歌参考书目30
在经历了一年多的COVID-19大流行带来的挑战之后,我们希望您和您的亲人尽可能保持健康、活跃和快乐。由于几份出版物的延迟,最后一份出版物比冠状病毒爆发前几年出版的出版物略短。今年LCB收录的出版物清单显示,尽管面临各种挑战,我们的领域仍在蓬勃发展。我们致力于填补即将到来的lcb中可能存在的任何空白,希望COVID-19病例数量减少,并允许放松限制。与第29届LCB一样,今年的LCB是在与大流行有关的挑战下编制的。我们再次面临图书馆要么完全关闭,要么限制进入的局面。在这样的时刻,我们更加感谢同事和图书馆员的帮助和慷慨,他们非常友好地为我们提供了该领域最新出版物的列表,甚至提供了我们无法访问的出版物索引的图片。我们非常感谢他们的努力和合作。今年带来了两个重要的版本,第一个是慕尼黑附近弗莱辛教区的《自由圣典》,延续了f·k·普拉萨团队的长期系列。另一个是Hana Vlhová-Wörner的Jistebnice Kancionál批判版。斯洛伐克小组出版了一系列关于布拉迪斯拉发的Missale Notatum, Ústredna knižnica Slovenskej akadmie vied Rkp的出版物。zv。387. 碎片来源是今年的一个重要主题,有12篇出版物与世界范围内的碎片arium项目有关或正在建设中,并且还开发了一个碎片数据库(30005、30017k、30018e、30022d、30028、30032、30045a、30045b、30051、30082、30086、30096)。这些成果对未来对片段的研究有很大的推动作用,我们希望在未来的lcb中看到与该主题相关的新标题。另外值得一提的是编制了《法国国家图书馆的非 档案手稿目录》(2003年),这是一个数据库,收集、描述和协助分析这个重要图书馆的带注释的手稿。这个数据库的目的是帮助研究人员在搜索符号的影响和一致性。亲爱的读者,我们祝你度过疫情期间最富有成效的时光。希望不久我们能再见面。如有任何问题、建议和/或书目信息,您可以通过电子邮件地址liturgchantbiblio@gmail.com.We与我们联系。谢谢您的帮助。
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来源期刊
CiteScore
0.50
自引率
0.00%
发文量
15
期刊介绍: Plainsong & Medieval Music is published twice a year in association with the Plainsong and Medieval Music Society and Cantus Planus, study group of the International Musicological Society. It covers the entire spectrum of medieval music: Eastern and Western chant, secular lyric, music theory, palaeography, performance practice, and medieval polyphony, both sacred and secular, as well as the history of musical institutions. The chronological scope of the journal extends from late antiquity to the early Renaissance and to the present day in the case of chant. In addition to book reviews in each issue, a comprehensive bibliography of chant research and a discography of recent and re-issued plainchant recordings appear annually.
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