Looking at the Self in Society: Professional Perception and Midgroundable Roles in Community Theater

IF 1 4区 社会学 Q2 ANTHROPOLOGY
Signs and Society Pub Date : 2020-03-01 DOI:10.1086/707828
Tomi Visakko
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引用次数: 5

Abstract

The article looks at role socialization during a six-week community theater project for young adults lead by professional artists in Helsinki (2015–16). Using ethnographic data, the article examines the participants’ experimentation with photography-based and videography-based techniques, which are used to source materials from the participants’ own worlds of experience for the group’s collective creative project. The article suggests that such tasks, along with their instructional discussions, serve to introduce the participants to role-specific forms of “professional perception.” It is also argued that professional perception in the role of Artist functions in a distinctive “midgrounded” mode processing input from ongoing everyday experiences and activities in light of specific professional epistemologies. The process, then, involves significant changes in how the participants relate to their own identities and social environments.
审视社会中的自我:社区剧场中的专业认知和中间角色
这篇文章着眼于赫尔辛基(2015-16)由专业艺术家领导的为期六周的年轻人社区戏剧项目中的角色社会化。利用人种学数据,文章考察了参与者对基于摄影和视频技术的实验,这些技术用于从参与者自己的经验世界中获取材料,用于团队的集体创意项目。文章建议,这些任务以及它们的教学讨论,有助于向参与者介绍特定角色的“专业感知”形式。“还有人认为,艺术家角色中的专业感知以一种独特的“中规中矩”模式发挥作用,根据特定的专业认识论处理来自日常经历和活动的输入。因此,这个过程涉及参与者与自己的身份和社会环境的关系发生重大变化。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Signs and Society
Signs and Society Multiple-
CiteScore
1.70
自引率
0.00%
发文量
14
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