Queer Representation Incorporated at “Him”, Character of “The Powerpuff Girls”

IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY
Gustavo Rocha e Silva Santos, Camila Peres Mancio, E. Maranho
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引用次数: 0

Abstract

In audiovisual's history, minorities as LGBTQ+ people had been excluded or stereotyped, thus, this study has as a guiding question understanding “Him”, character of the classic cartoon series “The Powerpuff Girls”, produced between 1998 and 2005 by Cartoon Network - by the bias of the Queer Theory, which address the questions about non-heteronormative bodies that belong to marginalized groups whose rights are denied and their lives taken. For this, a documentary and exploratory methodology was used, based on the authors researches like: Guacira Louro, Judith Butler, Edgar Morin, besides the analysis of two episodes: Octil Evil and Bash Birthday. Thus, the problematizations arised here refer to: a) How the Queer is related to Him and its possible problems and b) The dialectic between the bodies discourses accepted and excluded from the heteronormative society.  The argumentation of this research is sustained by homophobia and transphobia brazilian datas, which reveals the urge to approach matters about gender and sexuality representations.
Queer Representation Incorporated at“Hem”,“The Powerpuff Girls”的角色
在视听的历史上,作为LGBTQ+人群的少数群体一直被排斥或刻板化,因此,本研究以酷儿理论的偏见来理解1998年至2005年由cartoon Network制作的经典动画片《飞天小女警》中的角色“他”作为指导问题,该理论解决了属于边缘群体的非异性恋主体的问题,这些群体的权利被剥夺,生命被剥夺。为此,本文采用了纪实化和探索性的方法,在作者对Guacira Louro、Judith Butler、Edgar Morin等人的研究基础上,对Octil Evil和Bash Birthday两集进行了分析。因此,这里出现的问题化指的是:a)酷儿与上帝的关系及其可能出现的问题;b)在异性恋规范社会中被接受和被排斥的身体话语之间的辩证法。这项研究的论点得到了同性恋恐惧症和变性恐惧症巴西数据的支持,这些数据揭示了处理性别和性表征问题的冲动。
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来源期刊
Journal of Science and Technology of the Arts
Journal of Science and Technology of the Arts HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.40
自引率
0.00%
发文量
0
审稿时长
12 weeks
期刊介绍: The Journal of Science and Technology of the Arts (CITARJ) covers a wide range of topics related to the study and practice of Artistic work approached through Science and Technology, including: -Aesthetics of New Media- Audiovisual and Cinematic Art- Computer Music- Digital Arts - Digital Culture- Generative Art/Systems- Interactive Art - Interactive Multimedia- Interactive Sound- New Interfaces for Digital Expression- New Media Art- Tangible interfaces.
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