Women’s Grievances and Land Dispossession: Reading Landscapes through Papuan Independent Films

Q1 Arts and Humanities
H. Kadir
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引用次数: 0

Abstract

Papuan indigenous women depend on forests and gardens. Through forests, women play an important social-economic role in the community; through gardens, women practice care and reciprocity. Tropical forests, plant species, and animals are also their kin relations (Chao, 2018). Nature and culture are deeply intertwined. However, the role of women is disappearing along with deforestation and the large-scale expansion of oil palm plantations. Selecting independent documentary films mostly produced by Papuan Voices, a community network of indigenous Papuan filmmakers, this article describes women’s frustration at being separated from their lands and their discontent at being considered second-class citizens according to customary law. Women's lowly position in the Papuan patrilineal structure is utilized by the plantation industry to dispossess women from their forests and gardens, and thereby threaten their social-economic roles. This article concludes that land dispossession does not serve as a guarantee for development, but is deeply impoverishing.
妇女的怨愤与土地处置——从巴布亚独立电影看风景
巴布亚土著妇女依赖森林和花园。通过森林,妇女在社区中发挥着重要的社会经济作用;通过花园,妇女们练习着关爱和互惠。热带森林、植物物种和动物也是它们的近亲(Chao,2018)。自然和文化深深地交织在一起。然而,随着森林砍伐和油棕种植园的大规模扩张,妇女的作用正在消失。本文选择了主要由巴布亚土著电影制作人社区网络“巴布亚之声”制作的独立纪录片,描述了妇女对与土地分离的沮丧,以及她们对根据习惯法被视为二等公民的不满。种植业利用妇女在巴布亚父系结构中的低下地位剥夺妇女的森林和花园,从而威胁到她们的社会经济角色。这篇文章的结论是,剥夺土地并不能保证发展,反而使人陷入严重贫困。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
eTropic
eTropic Arts and Humanities-Literature and Literary Theory
CiteScore
2.00
自引率
0.00%
发文量
27
审稿时长
12 weeks
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