Editor’s note

Q3 Arts and Humanities
Marian Jago
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引用次数: 0

Abstract

One of the most interesting and downright fun parts of editing a journal such as Jazz Perspectives is the ability to facilitate just that – the sharing of multiple points of view and points of entry for considering jazz as music and as/in culture. This issue is, I think, a pretty good example of how broad perspectives on jazz so often coalesce serendipitously: Alan Ainsworth walks us through the often less considered visual and nonsounding aspects of jazz via his work on the rhetorical content of jazz studio portraits 1920-1945; Brian Harker tackles the controversy surrounding Miles Davis, Dizzy Gillespie, and authorship in the performance of “Ko Ko” and considers the various elements at stake in such debates; and Sean Smither applies the concept of avant-texte to an exploration of the relationship between “All the Things You Are” and it’s various expressions. We also have a book review by Rebecca Zola of the recent collection Playing for Keeps: Improvisation in the Aftermath; and two reviews of the recent film The United States vs. Billie Holiday (2021), one from journal co-founder Lewis Porter, and the other from Gayle Murchison who brings the lens of #BLM to bear. As the global Covid-19 pandemic continues to impact lives around the world, I am particularly grateful to those authors and reviewers (as well as my fellow editors here at Jazz Perspectives) who have taken the time to share their work and experience with us.
Editor’s音符
编辑像《爵士视角》这样的期刊最有趣、最纯粹的乐趣之一就是能够促进这种交流——分享多种观点和切入点,将爵士乐视为音乐和文化。我认为,这个问题是一个很好的例子,说明了对爵士乐的广泛看法是如何经常偶然地结合在一起的:艾伦·安斯沃思(Alan Ainsworth)通过他对1920-1945年爵士乐工作室肖像的修辞内容的研究,向我们展示了爵士乐中经常被忽视的视觉和非声音方面;布莱恩·哈克(Brian Harker)处理了围绕迈尔斯·戴维斯(Miles Davis)、迪兹·吉莱斯皮(Dizzy Gillespie)和“Ko Ko”表演的作者身份的争议,并考虑了这些争论中利害攸关的各种因素;Sean Smither则运用先锋文本(avant-text)的概念来探索“All the Things You Are”与其各种表达之间的关系。我们还有丽贝卡·佐拉(Rebecca Zola)对最近出版的《为生存而战:事后即兴创作》的书评;以及最近上映的电影《美国大战比莉·霍乐迪》(2021)的两篇评论,一篇来自期刊联合创始人刘易斯·波特,另一篇来自盖尔·默奇森,他把#BLM的镜头带到了人们的视野中。随着全球Covid-19大流行继续影响世界各地的生活,我特别感谢那些花时间与我们分享他们的工作和经验的作者和审稿人(以及我在Jazz Perspectives的同事编辑)。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Jazz Perspectives
Jazz Perspectives Arts and Humanities-Music
CiteScore
0.60
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