Ceramic Glazed Painted Eggs Production Technology Based on Kyiv Archaeological Materials

IF 0.3 4区 历史学 0 ARCHAEOLOGY
A. Sushko
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引用次数: 1

Abstract

Glazed painted eggs were one of the most vivid manifestations of Ancient Rus’ ceramic art. Nevertheless, today there are still unsolved problems in study of this category of archaeological material. It concerns technological aspects. These articles were made of ordinary pottery loam in a band way. They were formed hollow and contained a small ceramic ball in the inner part. After the molding they were fired, then covered with transparent glaze, which served as a background. In most cases green and fulvous glaze was used. Then, by using a special tubular instrument the painting was made with glaze of another colour, usually yellow and green, and the item was heated up again in the kiln in order to smooth the surface. Paintings were not multifarious. There were three main types of designs: ordinary stripes, which surrounded the item several times; unsystematic stripes that were put lengthwise and athwart; and also braces, which were the most common ornament. The question of the Ancient Rus’ glaze, which covered the glazed painted eggs, was raised in the 1960-ies by T. Makarova. However, today, on the basis of our collection and in the context of significant changes in the field of science, we have succeeded in clarifying and extending the known facts. The Nanomedtech Electron Microscopy Laboratory with the help of a Tescan Mira 3 LMU scanning microscope and the Gatan Pecs 682 precision etching and coating system was kindly performed with spectral analysis. Spectral analysis confirmed that Ancient Rus’ glaze had a lead-silica composition with a high content of tin. Brown colour was obtained by iron oxide, yellow by lead, green by copper. A general glaze formula was developed, which should consist essentially of Pb and Si oxide. On the example of two samples that have the same yellow colour, the difference in the quantitative composition of the components and their percentage can be seen that, by-turn, confirms the view of the relative dimensions of component measurement. The analysis of a small amount of material allowed describing the technology of painted eggs manufacturing.
基于基辅考古材料的陶瓷彩绘蛋制作技术
彩绘蛋是古罗斯陶瓷艺术最生动的表现之一。然而,在对这类考古材料的研究中,至今仍存在一些尚未解决的问题。它涉及技术方面。这些物品是用普通陶土用粗法制成的。它们是中空的,内部装有一个小陶瓷球。成型后,它们被烧制,然后覆盖上透明的釉,作为背景。在大多数情况下,绿色和黄褐色的釉被使用。然后,通过使用一种特殊的管状仪器,用另一种颜色(通常是黄色和绿色)的釉制成这幅画,并在窑中再次加热,以使表面光滑。绘画并不繁杂。主要有三种类型的设计:普通条纹,环绕物品几圈;纵向和横向排列的不规则条纹;还有牙套,这是最常见的装饰品。上世纪60年代,t·马卡罗娃(T. Makarova)提出了覆盖在彩绘彩蛋上的古罗斯釉的问题。然而,今天,在我们收集的基础上,在科学领域发生重大变化的背景下,我们成功地澄清和扩展了已知的事实。纳米电子显微镜实验室借助Tescan Mira 3 LMU扫描显微镜和Gatan Pecs 682精密蚀刻和涂层系统进行光谱分析。光谱分析证实,古罗斯的釉中含有铅-硅成分,锡含量很高。氧化铁是棕色的,铅是黄色的,铜是绿色的。开发了一种通用的釉料配方,主要由铅和氧化硅组成。在两个具有相同黄色的样品的例子中,可以看到成分的定量组成及其百分比的差异,依次证实了成分测量的相对尺寸的观点。对少量材料的分析可以描述彩绘蛋的制造技术。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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ARCHAEOLOGY
ARCHAEOLOGY ARCHAEOLOGY-
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