The theater of narration: from the peripheries of history to the main stages of Italy

IF 0.6 3区历史学 Q1 HISTORY

Journal of Modern Italian Studies Pub Date : 2023-02-14 DOI:10.1080/1354571X.2023.2171634

Paul Castagno

引用次数: 0

Abstract

undercut by ideas of the visual truth associated then and now with photographic imagery, however artificial or contrived. The title of the book rightly underlines the role of imagination in activating meaning in photographs, while emphasizing the practical, commercial and ideological nature of such images. The book has an extensive and highly useful bibliography, containing many lesser-known texts, from across the eclectic range of disciplines where interest in photography has been sustained.

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叙事剧场：从历史的边缘到意大利的主要舞台

被当时和现在与摄影图像相关联的视觉真实的想法削弱，无论多么人为或做作。这本书的标题正确地强调了想象力在激活照片意义方面的作用，同时强调了这些图像的实用性、商业性和意识形态性。这本书有一个广泛的和非常有用的参考书目，包含许多鲜为人知的文本，从横跨学科的不拘一格的兴趣摄影一直持续。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Journal of Modern Italian Studies Multiple-

CiteScore

1.00

自引率

25.00%

发文量

期刊介绍： The Journal of Modern Italian Studies (JMIS) is the leading English language forum for debate and discussion on modern Italy. This peer-reviewed journal publishes five issues a year, each containing scholarly articles, book reviews and review essays relating to the political, economic, cultural, and social history of modern Italy from 1700 to the present. Many issues are thematically organized and the JMIS is especially committed to promoting the study of modern and contemporary Italy in international and comparative contexts. As well as specialists and researchers, the JMIS addresses teachers, educators and all those with an interest in contemporary Italy and its history.