{"title":"Making Poetry from Prose: Robert Herrick's Exercises in Paraphrase","authors":"Oliver Wort","doi":"10.5325/style.57.1.0070","DOIUrl":null,"url":null,"abstract":"abstract:At least thirty of the epigrams that comprise Robert Herrick's Hesperides: or, The Works both Humane & Divine (1648) are known to have been based on John Gregory's Notes and Observations (1646). Having been pieced together out of Gregory's prose, and lacking in any divine inspiration, these poems—or paraphrases—are reviled in criticism. Moving beyond the particular esthetic judgment, however, a comparison of Herrick's Gregory-poems with their prose source allows readers to identify what decisions he made when crafting a line of verse. In particular, these poems reveal how Herrick manipulated a line semantically and metrically to make poetry from prose. It is true that few readers will be thrilled by Herrick's paraphrases, but as a poetry of process, they are evidence of the mechanical act of writing, and their study forces into view Herrick's activity as a poet.","PeriodicalId":45300,"journal":{"name":"STYLE","volume":"57 1","pages":"70 - 89"},"PeriodicalIF":0.5000,"publicationDate":"2023-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"STYLE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5325/style.57.1.0070","RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LANGUAGE & LINGUISTICS","Score":null,"Total":0}
引用次数: 0
Abstract
abstract:At least thirty of the epigrams that comprise Robert Herrick's Hesperides: or, The Works both Humane & Divine (1648) are known to have been based on John Gregory's Notes and Observations (1646). Having been pieced together out of Gregory's prose, and lacking in any divine inspiration, these poems—or paraphrases—are reviled in criticism. Moving beyond the particular esthetic judgment, however, a comparison of Herrick's Gregory-poems with their prose source allows readers to identify what decisions he made when crafting a line of verse. In particular, these poems reveal how Herrick manipulated a line semantically and metrically to make poetry from prose. It is true that few readers will be thrilled by Herrick's paraphrases, but as a poetry of process, they are evidence of the mechanical act of writing, and their study forces into view Herrick's activity as a poet.
摘要:罗伯特·赫里克(Robert Herrick)的《赫斯佩里得斯》(Hesperides:or,the Works both Humane&Divine,1648)中至少有三十句警句是基于约翰·格雷戈里(John Gregory)的《笔记与观察》(Notes and Observations,1646)。这些诗是根据格雷戈里的散文拼凑而成的,缺乏任何神圣的灵感,或转述,在批评中遭到唾骂。然而,超越了特定的审美判断,将赫里克的格雷戈里诗歌与其散文来源进行比较,可以让读者确定他在创作一行诗时做出了什么决定。特别是,这些诗歌揭示了赫里克如何从语义和度量上操纵一行,使诗歌从散文中提炼出来。诚然,很少有读者会对赫里克的转述感到兴奋,但作为一首过程诗,它们是写作机械行为的证据,他们的研究迫使人们审视赫里克作为诗人的活动。
期刊介绍:
Style invites submissions that address questions of style, stylistics, and poetics, including research and theory in discourse analysis, literary and nonliterary genres, narrative, figuration, metrics, rhetorical analysis, and the pedagogy of style. Contributions may draw from such fields as literary criticism, critical theory, computational linguistics, cognitive linguistics, philosophy of language, and rhetoric and writing studies. In addition, Style publishes reviews, review-essays, surveys, interviews, translations, enumerative and annotated bibliographies, and reports on conferences.