{"title":"Calixa Lavallée and the Construction of a National Anthem","authors":"Ross W. Duffin","doi":"10.1093/musqtl/gdaa004","DOIUrl":null,"url":null,"abstract":"\n Calixa Lavallée's O Canada, composed in 1880, is beloved there as the national anthem, and admired around the world. Little known today, even in his home country, Lavallée enjoyed an international career as a performer and educator, and spent many years as a “popular” musician in the United States before turning exclusively to “classical” music. This article attempts to demonstrate that, contrary to the received view of the anthem as essentially Canadian, Lavallée used his broad experience of European and American music to assemble his “chant national” from a handful of pre-existing works.","PeriodicalId":45285,"journal":{"name":"MUSICAL QUARTERLY","volume":" ","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2020-06-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1093/musqtl/gdaa004","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"MUSICAL QUARTERLY","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/musqtl/gdaa004","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
引用次数: 0
Abstract
Calixa Lavallée's O Canada, composed in 1880, is beloved there as the national anthem, and admired around the world. Little known today, even in his home country, Lavallée enjoyed an international career as a performer and educator, and spent many years as a “popular” musician in the United States before turning exclusively to “classical” music. This article attempts to demonstrate that, contrary to the received view of the anthem as essentially Canadian, Lavallée used his broad experience of European and American music to assemble his “chant national” from a handful of pre-existing works.
期刊介绍:
The Musical Quarterly, founded in 1915 by Oscar Sonneck, has long been cited as the premier scholarly musical journal in the United States. Over the years it has published the writings of many important composers and musicologists, including Aaron Copland, Arnold Schoenberg, Marc Blitzstein, Henry Cowell, and Camille Saint-Saens. The journal focuses on the merging areas in scholarship where much of the challenging new work in the study of music is being produced.