A museum for the future heritage: house of Tehran’s auction with the neo-vernacular approach

Q2 Engineering
N. Hashemi, Hamed Mazaherian, Farnaz Emami
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引用次数: 0

Abstract

ABSTRACT Museum design has always been influenced by factors such as the building site, culture, politics, economy, etc. The possibility of using the museum as a multifunctional and adaptable building has always been considered by designers, and it is always seen not as a temporary building, but as a standing work for many years. Another aspect of museums, which is perhaps less well known, is the way it interacts with its objects. After the exhibition, the objects are waiting for an unknown destiny. This is perhaps because some under the title of “ auction “ sought to sell them, trying to prevent them from forgetting. In Iran, this type of collision is very novel and different. The necessary design of the auction as a multi-functional building is undeniable. Further research shows that public spaces can contribute to creating a meaningful context for future heritage and to increasing their influence in societies to provide a context for future developments.
未来遗产博物馆:德黑兰之家以新本土方式拍卖
摘要博物馆的设计一直受到建筑场地、文化、政治、经济等因素的影响。设计师们一直在考虑将博物馆作为一个多功能、适应性强的建筑的可能性,它总是被视为一个多年来的常设作品,而不是一个临时建筑。博物馆的另一个可能不太为人所知的方面是它与物品的互动方式。展览结束后,这些物品正在等待一个未知的命运。这也许是因为有些人打着“拍卖”的旗号“试图出售它们,试图防止它们被遗忘。在伊朗,这种类型的碰撞是非常新颖和不同的。拍卖会作为一个多功能建筑的必要设计是不可否认的。进一步的研究表明,公共空间可以为未来的遗产创造一个有意义的背景,并增加它们在社会中的影响力,为未来的文化遗产提供一个背景。”发展。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
2.00
自引率
0.00%
发文量
9
审稿时长
52 weeks
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