Last Words on Philip Roth

Q2 Arts and Humanities
Timothy L. Parrish
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Abstract

Philip Roth is dead. Frankly, he’s been dead to me since 2009 when he stopped writing. Our relationship was always transactional. He was a writer and I was his reader, a faithful one, I insist. Each of his last five novels I read in one sitting the afternoon they were delivered to my house. Nonetheless, the official notification came as a shock. My wife broke it to me. Honey, she said, better give me your phone. You’re going to need to stay away from it for a few days. She apparently had noticed how these past several years I kept eyeballing it for the news flash announcing the title of his latest work. No one person copes with grief like any other. I’ve kept him as near as I can. My wife even gave her pillow over to Roth’s last book, Why Write? Likely she’s noticed me talking to it, though I have tried to whisper. The cover mesmerizes me. He doesn’t look like he knows he is dead. He looks a little pissed. His narrow eyes would scare me if I weren’t able to read his lips when they moved. Hey bub, can it really be I’m actually dead and cannot return but for your glance?! Between us, it’s always been the same story. Possession. It’s all Roth ever wants with readers. Alone in my study, and several times on park benches in cities I prefer not to recall, I’ve been possessed by him, repeatedly, as my hands fiercely cling to the bound object from which his face seems to take me in at a glance. Can such joy ever end? For the longest time, everything seemed so private. But for those aliases he used to draw me close—Zuckerman, Kepesh, the heroic self-conqueror, Alexander—it was just Roth and me. Even when I discerned in his shifting manner a vestige of James, a revenant that conjured Hawthorne, or the pleasant aroma of Proust, I knew it was clowning. Only Roth could hold me like that. Truly, I prayed that our intimacy never end. Why should it? We both wanted it that way? Don’t lose this good thing, he sometimes sang to me as I read, but something was always coming between us. Life, most obviously, though Roth insisted real life could only happen when I was reading him. I
菲利普·罗斯遗言
菲利普·罗斯死了。坦率地说,自2009年他停止写作以来,他对我来说已经死了。我们的关系总是交易性的。他是一个作家,而我是他的读者,一个忠实的读者,我坚持。我一口气读完了他最后五本小说,每一本都是在下午送到我家的时候读的。尽管如此,官方通知还是令人震惊。我妻子把它弄坏了。亲爱的,她说,最好把你的手机给我。你需要远离它几天。她显然注意到,在过去的几年里,我一直在关注他最新作品的标题。没有人能像其他人一样处理悲伤。我已经尽我所能让他靠近了。我妻子甚至把枕头放在罗斯的最后一本书《为什么写作?她可能注意到我在和它说话,尽管我试着小声说话。封面让我着迷。他看起来并不知道自己已经死了。他看起来有点生气。如果我看不清他的嘴唇在动的时候,他的窄眼睛会吓到我。嘿,伙计,我真的死了,只有你一眼才能回来吗?!我们之间的故事总是一样的。个人财产这就是罗斯想要的读者。我独自一人在书房里,有几次坐在我不愿回忆的城市里的公园长椅上,我被他迷住了,一次又一次,因为我的手紧紧抓住了那个被捆绑的物体,他的脸似乎让我一眼就能看出来。这样的快乐能结束吗?在最长的一段时间里,一切似乎都是那么私密。但对于那些他用来拉近我距离的别名——祖克曼、凯佩什、英雄的自我征服者亚历山大——只有罗斯和我。即使当我以他多变的方式察觉到詹姆斯的痕迹,一个召唤霍桑的复仇者,或者普鲁斯特的怡人香气时,我也知道这是在开玩笑。只有罗斯能那样抱着我。真的,我祈祷我们的亲密关系永远不会结束。为什么要这样做?我们都想那样?“不要失去这个好东西,”他有时在我读书的时候给我唱歌,但我们之间总是有一些东西。最明显的是,生活,尽管罗斯坚持认为只有当我读他的时候,现实生活才能发生。我
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来源期刊
Philip Roth Studies
Philip Roth Studies Arts and Humanities-Literature and Literary Theory
CiteScore
0.80
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