Rediscovering Queen Alexandra’s Wardrobe: The Challenges and Rewards of Object-Based Research

Q3 Arts and Humanities
Kate Strasdin
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引用次数: 1

Abstract

Alexandra, born a princess of Denmark, married Queen Victoria’s eldest son Edward, prince of Wales, in 1863. She became an iconic princess of Wales whose position was central to the reinvigoration of the British monarchy in the second half of the nineteenth century. She was not permitted a public voice and so used dress instead as a means of controlling perceptions of her royal self. Aware of the growing influence of the media, Alexandra was able to maintain immense popularity, arguably through the positive image generated through her physical appearance. This article, part of a wider study into the clothing practices of Alexandra of Denmark, takes three prominent surviving garments from her wardrobe and applies an object-based methodology to life writing, offering a biography of both the person and the clothes she inhabited. This multi-disciplinarity between object and text creates a discourse that highlights both the value of material culture but also the challenges faced for the researcher in this context.
重新发现亚历山德拉女王的衣橱:基于对象的研究的挑战和回报
亚历山德拉出生于丹麦公主,1863年嫁给了维多利亚女王的长子、威尔士王子爱德华。她成为了威尔士标志性的王妃,她的地位是19世纪下半叶英国君主制复兴的核心。她不被允许在公众面前发表意见,所以她把服装作为一种控制人们对她的王室自我认知的手段。意识到媒体日益增长的影响力,亚历山德拉能够保持巨大的知名度,可以说是通过她的外表产生的积极形象。这篇文章是对丹麦亚历山德拉的服装实践进行更广泛研究的一部分,从她的衣柜中取出了三件著名的幸存服装,并将基于对象的方法应用于生活写作,提供了一个人物传记和她所穿的衣服。对象和文本之间的这种多学科性创造了一种话语,既强调了物质文化的价值,也强调了研究人员在这种背景下面临的挑战。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Court Historian
Court Historian Arts and Humanities-History
CiteScore
0.20
自引率
0.00%
发文量
14
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