Viral Law: Life, Death, Difference, and Indifference from the Spanish Flu to Covid-19.

Pub Date : 2022-01-01 Epub Date: 2022-03-18 DOI:10.1007/s11196-022-09893-7
Mark Featherstone
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Abstract

What is viral law? In order to being my discussion, I note that the last two years have been extremely difficult to understand and that we, meaning those who have lived through the pandemic, have struggled to make sense. Thus, I make the argument that the virus has impacted upon not only the individual's ability to make sense in a world where every day routines have been upended, but also social and political structures that similarly rely on repetition to continue to function. According to this thesis, Covid-19 is more than simply a biological organism, but also a cultural virus that undermines the organisation of social, political, and economic systems and requires new ways of thinking about how we might move forward into a post-Covid world. In the name of beginning this project of making sense of Covid-19, I track back in history to the comparable reference point of the Spanish flu pandemic of 1918-1920 and, in particular, a reading of Freud's Beyond the Pleasure Principle, which the founder of psychoanalysis wrote in the shadow of the virus. In reading Freud's attempt to write a psychology of death in the context of this funereal period of history, I argue that he set out first, a mythological theory of viral law concerned with the death drive, before turning to second, a techno-scientific, biological theory of the same (viral) law characterised by microbial immortality. Beyond this exploration of Beyond the Pleasure Principle, in the third part of the article I turn to a reading of Lacan's interpretation of Freud's work, where viral law becomes a story of cybernetics and nihilistic mechanisation. Here, perfect mechanisation, and the endless oscillation between message and noise, looks a lot like living death. Finally, I take up Derrida's critique of Jacob's molecular biology and, by extension, Freud's theory of microbial immorality, that he thinks privileges an idea of repetitive sameness and opens up a space for cultural politics concerned with immunity against otherness. Derrida's key point here is that this biological fantasy ignores the reality of viral sex that enables evolution to happen. What this means is that the other, even in its microbial form, is ever present, and that we must recognise the importance of difference to the possibility of social, political, and economic change.

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病毒定律:从西班牙流感到新冠肺炎的生、死、差异和冷漠
什么是病毒法?为了展开我的讨论,我指出,过去的两年是极其难以理解的两年,我们,即那些经历过这一流行病的人,一直在努力寻找意义。因此,我提出的论点是,病毒不仅影响了个人在一个日常惯例被颠覆的世界中理清头绪的能力,也影响了同样依靠重复来继续运作的社会和政治结构。根据这篇论文,"科维-19 "不仅仅是一种生物有机体,也是一种文化病毒,它破坏了社会、政治和经济系统的组织,需要我们以新的方式思考如何迈向后 "科维 "世界。为了开始这一 "Covid-19 "项目,我追溯到 1918-1920 年西班牙流感大流行的历史参照点,特别是对精神分析创始人弗洛伊德在病毒阴影下撰写的《超越快乐原则》的解读。在解读弗洛伊德在这一殡葬历史时期撰写死亡心理学的尝试时,我认为,他首先提出了与死亡驱力有关的病毒法则的神话理论,然后才转向以微生物永生为特征的同一(病毒)法则的技术科学生物理论。除了对 "超越快感原则 "的探讨之外,在文章的第三部分,我转而解读拉康对弗洛伊德作品的诠释,在那里,病毒法则成为了一个关于控制论和虚无主义机械化的故事。在这里,完美的机械化,以及信息与噪音之间无休止的摇摆,看起来很像活死人。最后,我接过德里达对雅各布的分子生物学的批判,并推而广之,对弗洛伊德的微生物不道德理论的批判,他认为这种理论将重复的同一性视为特权,并为文化政治开辟了一个关注对他者的免疫力的空间。德里达在此提出的关键观点是,这种生物学幻想忽视了病毒性进化的现实。这意味着,他者,即使是微生物形式的他者,永远存在,我们必须认识到差异对于社会、政治和经济变革可能性的重要性。
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