Photographs in Chinese Film Publications in the 1930s: Archives from the Republic of China Periodicals Full-Text Database (1911–1949)

IF 0.2 4区 艺术学 0 ART
N. Qiao
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引用次数: 0

Abstract

Publications dedicated to cinema in China can be traced back to 1921. They were primarily produced in Shanghai, as the film industries in Hong Kong and Taiwan were still up-and-coming at the time (Yeh 2018, 20). These Shanghai publications continued to evolve and develop over the next 28 years, heralding a period of maturity and prosperity marked by unique visual styles in the beginning of the 1930s, which formed a substantial tradition in both the industry and academia. The three giants of Chinese film publications at the time were Lianhua Pictorial联华画报, Star Monthly明星月报, and The Chinese Movie Stars Grand View中国电 影明星大观. Among these publications, Lianhua Pictorial and Star Monthly were periodicals with significant publicity, with the former producing 150 books in 152 issues (Ding 2013,132–137) from January 1933 to August 1937 and the latter remaining highly active from April 1935 to July 1937 (Ding 2013, 133). Both periodicals ultimately ceased publication, likely due to the deteriorating Sino-Japanese relationship that ended in warfare. The Chinese Movie Stars Grand View, which was published by The Yisheng Press艺声 in 1935, was edited by the famous Chinese photographer Chen Jiazhen陈嘉震. It systematically introduced Chinese film actors and directors and included life and stage photos of movie stars from 13 major film companies, including The Stars, Lianhua, Yihua艺华, Tianyi天一, and Xinhua新华 (Shanghai Library 2009, 60). This short essay investigates historical photographs from these three primary publications in the early history of Chinese cinema. They are held as collections in the Republic of China’s Periodical Full-text Database (1911–1949) maintained by the Shanghai Library. This database contains more than 25,000 journals published during the time of the Republic of China and nearly 1,000 documents reflecting the political, military, diplomatic, economic, educational, ideological, cultural, and religious entities of
20世纪30年代中国电影出版物中的照片:来自民国期刊全文数据库的档案(1911-1949)
中国专门研究电影的出版物可以追溯到1921年。它们主要在上海制作,因为当时香港和台湾的电影业仍在发展(Yeh 2018,20)。在接下来的28年里,这些上海出版物不断演变和发展,预示着20世纪30年代初以独特的视觉风格为标志的成熟和繁荣时期,这在工业界和学术界都形成了实质性的传统。当时中国电影出版物的三大巨头是《联华画报》联华画报, Star月刊明星月报, 和中国影星大观中国电 影明星大观. 在这些出版物中,《联华画报》和《明星月刊》是具有重要宣传意义的期刊,前者在1933年1月至1937年8月期间出版了152期150本书(丁2013132-137),后者在1935年4月至1937月期间仍然非常活跃(丁2013133)。这两种期刊最终都停刊了,可能是由于中日关系恶化,最终以战争告终。《中国影星大观》,由易声出版社出版艺声 1935年由中国著名摄影师陈家珍主编陈嘉震. 它系统地介绍了中国电影演员和导演,并收录了来自13家主要电影公司的电影明星的生活和舞台照片,包括明星、联华、艺华艺华, 天翼天一, 和新华社新华 (上海图书馆2009,60)。这篇短文调查了中国早期电影史上这三种主要出版物的历史照片。它们收藏在上海图书馆维护的中华民国期刊全文数据库(1911-1949)中。该数据库包含25000多份中华民国时期出版的期刊和近1000份反映中国政治、军事、外交、经济、教育、意识形态、文化和宗教实体的文件
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来源期刊
CiteScore
0.30
自引率
33.30%
发文量
22
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