Las imágenes de Rostros y Lugares (2017). Una reflexión desde el documental performativo y los estudios visuales

IF 0.2 0 ART
Fabiola Alcalá Anguiano
{"title":"Las imágenes de Rostros y Lugares (2017). Una reflexión desde el documental performativo y los estudios visuales","authors":"Fabiola Alcalá Anguiano","doi":"10.24310/FOTOCINEMA.2021.VI22.11728","DOIUrl":null,"url":null,"abstract":"In this text, the film Faces Places by the filmmaker Agnes Varda and the graphic artist JR (2017) is analyzed, taking into account his condition as a performative documentary and following some theoretical-methodological guidelines that visual studies as a field and as a method offer. This analysis allows us to reflect on the emotional and reflexive functions of images, whether photographic, cinematographic, large format, analog or digital. As well as its aesthetic and socio-political impact following the contributions of Bill Nichols, Nicholas Mirzoeff and Gille Deleuze. The analysis is divided into four types of images that help to understand how the film works narratively and aesthetically, a documentary that is also made up of photographic installations and their replicas on the internet, these are: installation images, introspection images, absence images and images reproduction, a taxonomy under construction that can serve as a basis for the study of other films of this nature.","PeriodicalId":40899,"journal":{"name":"Fotocinema-Revista Cientifica de Cine y Fotografia","volume":"1 1","pages":"331-349"},"PeriodicalIF":0.2000,"publicationDate":"2021-01-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Fotocinema-Revista Cientifica de Cine y Fotografia","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.24310/FOTOCINEMA.2021.VI22.11728","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
引用次数: 0

Abstract

In this text, the film Faces Places by the filmmaker Agnes Varda and the graphic artist JR (2017) is analyzed, taking into account his condition as a performative documentary and following some theoretical-methodological guidelines that visual studies as a field and as a method offer. This analysis allows us to reflect on the emotional and reflexive functions of images, whether photographic, cinematographic, large format, analog or digital. As well as its aesthetic and socio-political impact following the contributions of Bill Nichols, Nicholas Mirzoeff and Gille Deleuze. The analysis is divided into four types of images that help to understand how the film works narratively and aesthetically, a documentary that is also made up of photographic installations and their replicas on the internet, these are: installation images, introspection images, absence images and images reproduction, a taxonomy under construction that can serve as a basis for the study of other films of this nature.
面孔和地方的图像(2017年)。纪录片表演与视觉研究的反思
本文分析了电影制作人Agnes Varda和平面艺术家JR(2017)的电影《面对地方》,考虑到他作为一部表演性纪录片的状况,并遵循视觉研究作为一个领域和方法所提供的一些理论方法论指导。这种分析使我们能够反思图像的情感和反射功能,无论是摄影、电影、大幅面、模拟还是数字。以及继比尔·尼科尔斯、尼古拉斯·米尔佐夫和吉勒·德勒兹的贡献之后的美学和社会政治影响。分析分为四类图像,这四类图像有助于理解电影是如何叙事和美学运作的,这是一部由摄影装置及其在互联网上的复制品组成的纪录片,它们是:装置图像、内省图像、缺席图像和图像复制,一个正在构建中的分类法,可以作为研究其他此类电影的基础。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 求助全文
来源期刊
CiteScore
0.40
自引率
0.00%
发文量
35
审稿时长
12 weeks
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信