What do we mean by ‘systematic’, ‘empirically grounded’ research in music?

IF 1.1 4区计算机科学 Q4 COMPUTER SCIENCE, INTERDISCIPLINARY APPLICATIONS

Journal of New Music Research Pub Date : 2022-05-27 DOI:10.1080/09298215.2023.2233831

J. Devaney, D. Meredith

引用次数: 0

Abstract

The Journal of New Music Research (JNMR) publishes material which increases our understanding of music and musical processes by systematic, scientific and technological means. Research published in the journal is innovative, empirically grounded and often, but not exclusively, uses quantitative methods. Articles are both musically relevant and scientifically rigorous, giving full technical details. No bounds are placed on the music or musical behaviours at issue: popular music, music of diverse cultures and the canon ofWestern classical music are all within the Journal’s scope. Articles deal with theory, analysis, composition, performance, uses of music, instruments and other music technologies. The Journal was founded in 1972 with the original title Interface to reflect its interdisciplinary nature, drawing on musicology (including music theory), computer science, psychology, acoustics, philosophy, and other disciplines.1

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我们所说的“系统的”、“基于经验的”音乐研究是什么意思？

《新音乐研究杂志》(JNMR)通过系统的、科学的和技术的手段出版了一些材料，这些材料增加了我们对音乐和音乐过程的理解。发表在该杂志上的研究具有创新性，以经验为基础，经常(但不完全)使用定量方法。文章既有音乐上的相关性，又有科学上的严谨性，给出了完整的技术细节。讨论的音乐或音乐行为没有界限:流行音乐、不同文化的音乐和西方古典音乐的经典都在《华尔街日报》的范围内。文章涉及理论、分析、作曲、演奏、音乐、乐器和其他音乐技术的使用。该杂志创刊于1972年，原名为《界面》，以反映其跨学科的性质，借鉴了音乐学(包括音乐理论)、计算机科学、心理学、声学、哲学和其他学科

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Journal of New Music Research 工程技术-计算机：跨学科应用

CiteScore

3.20

自引率

0.00%

发文量

审稿时长

>12 weeks

期刊介绍： The Journal of New Music Research (JNMR) publishes material which increases our understanding of music and musical processes by systematic, scientific and technological means. Research published in the journal is innovative, empirically grounded and often, but not exclusively, uses quantitative methods. Articles are both musically relevant and scientifically rigorous, giving full technical details. No bounds are placed on the music or musical behaviours at issue: popular music, music of diverse cultures and the canon of western classical music are all within the Journal’s scope. Articles deal with theory, analysis, composition, performance, uses of music, instruments and other music technologies. The Journal was founded in 1972 with the original title Interface to reflect its interdisciplinary nature, drawing on musicology (including music theory), computer science, psychology, acoustics, philosophy, and other disciplines.