Babel, a Neverending Story? Language and Fantasy Identities

IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY
Maria Barbu
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Abstract

"The end of the 19th century brought a major change in regards to humanity’s relationship with divinity and with the idea of creation. According to Friedrich Nietzsche, ‘God is dead’, so no one holds the supreme authority upon the creation act anymore. As a result, man himself began to create fictional worlds through logos, in order to fill the void left by the disappearance of divinity. Among the many methods that explain the generative process of these worlds there is the archetypal one from the Jungian psychology, the relational one from reader-response theories and the ‘chaotic’, theoretically objective one, based on hazard theories. Starting from here, this essay will try to analyze comparatively Michael Ende’s novel, The Neverending Story, and Jorge Luis Borges’ short story, The Library of Babel, with the purpose of exploring the contrast that is prefigured – at a structural, interpretive and text-reader relationship level – between the unconscious and the mechanical patterns of creating new worlds."
巴别塔,一个永恒的故事?语言与幻想身份
“19世纪末,人类与神性和创造观念的关系发生了重大变化。根据弗里德里希·尼采的说法,‘上帝已经死了’,因此没有人再拥有创造行为的最高权力。因此,人类自己开始通过理性创造虚构世界,以填补神性消失留下的空白在解释这些世界的生成过程的许多方法中,有来自荣格心理学的原型方法,有来自读者反应理论的关系方法,还有基于危险理论的“混乱”、理论上客观的方法。从这里开始,本文将试图对迈克尔·恩德的小说《永不消逝的故事》和豪尔赫·路易斯·博尔赫斯的短篇小说《巴别塔图书馆》进行比较分析,以期在结构、解释和文本读者关系层面上探索无意识与创造新世界的机械模式之间的对比。“
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Caietele Echinox
Caietele Echinox HUMANITIES, MULTIDISCIPLINARY-
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