Performing Asian/American Women

IF 0.4 2区艺术学 N/A THEATER

TDR-The Drama Review-The Journal of Performance Studies Pub Date : 2023-09-01 DOI:10.1017/S1054204323000308

H. Kim

引用次数: 0

Abstract

The transnational circulation of persistent racial types that are attached to Asian/American women have shaped Asian-focused narratives and roles on Broadway. The King and I (2015) and KPOP (2022) exemplify Asian/American women’s performative labor and the tensions embedded in and disruptive of the contested political arena of Broadway musical theatre.

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表演亚裔/美国女性

亚裔/美国女性身上持续存在的种族类型在跨国传播，塑造了百老汇以亚裔为中心的叙事和角色。《国王与我》（2015）和《KPOP》（2022）体现了亚裔/美国女性的表演劳动，以及百老汇音乐剧这一有争议的政治舞台所嵌入和破坏的紧张局势。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

TDR-The Drama Review-The Journal of Performance Studies THEATER-

CiteScore

0.80

自引率

33.30%

发文量

期刊介绍： TDR traces the broad spectrum of performances, studying performances in their aesthetic, social, economic, and political contexts. With an emphasis on experimental, avant-garde, intercultural, and interdisciplinary performance, TDR covers performance art, theatre, dance, music, visual art, popular entertainments, media, sports, rituals, and the performance in and of politics and everyday life. Each fully illustrated issue includes: -Articles on theatre, dance, popular entertainments, rituals, politics, and social life: the whole broad spectrum of performance -Original contributions to performance theory -Editorial comments, critical analysis, and book reviews -Articles by social scientists, cultural commentators, theorists, artists, scholars, and critics -Interviews with performers, choreographers, directors, composers, and performance artists -Texts of performance works -Translations of important new and decisive archival writings on performance

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