Provincial victorians: global capital and literary taste in colonial Odisha

IF 0.9 0 ASIAN STUDIES
Siddharth Satpathy
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引用次数: 0

Abstract

ABSTRACT Published in 1902, Fakir Mohan Senapati’s famous novel Six Acres and a Third sets up a parallel between the import of English commodities and English literary taste into Odisha in late nineteenth century. The paper takes this parallel as its point of departure to explore colonial Odia discourses on political economy and literary criticism, and goes on to study how they construct Odisha as a peripheral space. The paper finds that the public discussions on economy and literature shared a common ideological code. This code preferred to engage with history, whether economic or literary, by turning it into a moral question. This ideological code deeply informed the peripheral middle-class imagination, which often spoke for a working alliance between educated middle orders native aristocracy and colonial state for the sake of economic and literary progress in the region. The paper concludes by showing how this code was at work in Fakir Mohan, in his responses to colonialism, and in his engagement with a fundamental problem of the peripheral space, that of redundant capital. ‘Provincial Victorians’ refer to Fakir Mohan and several other public intellectuals of his generation who came to see themselves as inhabiting the economic and literary peripheries of the Victorian world system.
维多利亚省:奥里萨邦殖民地的全球资本和文学品味
Fakir Mohan Senapati于1902年出版的著名小说《六亩三分地》将19世纪末英国商品的进口与英国文学品味相提并论。本文以这种平行性为出发点,探讨了殖民时期奥迪亚关于政治经济和文学批评的话语,并进一步研究了他们如何将奥迪沙构建为一个边缘空间。本文发现,关于经济和文学的公共讨论有着共同的意识形态密码。这一准则倾向于通过将历史变成一个道德问题来参与历史,无论是经济还是文学。这种意识形态密码深深地影响了边缘中产阶级的想象,他们经常主张受过教育的中产阶级、本土贵族和殖民国家之间建立一个工作联盟,以促进该地区的经济和文学进步。论文最后展示了这一准则是如何在法基尔·莫汉(Fakir Mohan)发挥作用的,在他对殖民主义的回应中,以及在他处理外围空间的一个根本问题,即多余资本的问题时。”“省级维多利亚人”指的是Fakir Mohan和他那一代的其他几位公共知识分子,他们认为自己生活在维多利亚世界体系的经济和文学边缘。
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来源期刊
CiteScore
1.10
自引率
0.00%
发文量
59
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