Stop Making Sense: The Politics of Aristophanic Madness

I. Ruffell
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Abstract

Abstract:This paper discusses the use of madness in Aristophanic Comedy, and in particular how it is used as a means of evaluating and interrogating political interventions. The well-known theme of madness in Aristophanes's Wasps provides the frame. Interpreting Philocleon's madness has proved problematic because the complexity of comic madness has been under-estimated. Against negative models of madness that dominate in tragedy and in political discourse, madness in comedy can be not only a means of interrogating ideological and political norms, but also a constructive and even heroic form of behavior, which draws on epic and religious associations. Bdelycleon's attempt to cure his father removes the positive substance and political value that anchors his father's insanity, which leads to the aporetic finale.
停止说得通:阿里斯托芬式疯狂的政治
摘要:本文讨论了阿里斯托芬喜剧中疯狂的使用,特别是它如何被用作评估和质疑政治干预的手段。阿里斯托芬的《黄蜂》中著名的疯狂主题提供了框架。事实证明,解读菲洛克伦的疯狂是有问题的,因为人们低估了喜剧疯狂的复杂性。与悲剧和政治话语中占主导地位的消极疯狂模式相反,喜剧中的疯狂不仅可以是一种质疑意识形态和政治规范的手段,而且可以是一个建设性甚至英雄式的行为形式,它借鉴了史诗和宗教联想。Bdelycleon试图治愈他的父亲,消除了支撑他父亲精神错乱的积极物质和政治价值,这导致了一个狂热的结局。
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