The Work Realities of Professional Studio Musicians in the German Popular Music Recording Industry: Careers, Practices and Economic Situations

Q2 Arts and Humanities
Jan Herbst, Tim Albrecht
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引用次数: 6

Abstract

Among the professional roles in the recording industry, studio musicians have received relatively little academic attention. The present study explores the work realities of professional studio musicians in Germany, one of the largest music industries in the world, and is based on interviews with six pop musicians; guitarists, bassists, keyboardists and drummers who are between 27 and 66 years old. The findings show how changes in the recording industry - most notably dwindling budgets, the rise of project studios and virtual collaboration - have affected working practices, skill requirements and business models. The findings indicate that in Germany it is hardly possible to make a living from studio work as a professional musician. This is true even for leading session players. Sinking fees and the lack of access to royalties pose a problem that is not tackled due to fierce competition and the risk of damaging one’s reputation.
德国流行音乐唱片行业的专业工作室音乐家的工作现实:职业,实践和经济状况
在唱片行业的专业角色中,录音室音乐家受到的学术关注相对较少。本研究探讨了世界上最大的音乐产业之一德国专业录音室音乐家的工作现实,并基于对六位流行音乐人的采访;年龄在27至66岁之间的吉他手、贝斯手、键盘手和鼓手。研究结果表明,唱片业的变化——最显著的是预算减少、项目工作室和虚拟合作的兴起——对工作实践、技能要求和商业模式产生了怎样的影响。研究结果表明,在德国,作为一名职业音乐家,几乎不可能靠录音室工作谋生。即使是领先的会话玩家也是如此。由于激烈的竞争和损害声誉的风险,沉没费用和无法获得特许权使用费是一个没有得到解决的问题。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
IASPM Journal
IASPM Journal Arts and Humanities-Music
CiteScore
0.30
自引率
0.00%
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0
审稿时长
30 weeks
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