Women in British window display during the 1920s and 1930s

Q2 Arts and Humanities
K. Meakin
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引用次数: 0

Abstract

ABSTRACT This paper examines the role of women in window display in Britain during the 1920s and 1930s. Window display in 1920s Britain was very much men’s work. Even when women were encouraged by those outside the profession, they were not necessarily encouraged by those within it. In 1923 the daily press and women’s journals devoted space to the debate on window dressing as an ideal and suitable profession for women. However, the editorial of Display, the official organ of the British Association of Display Men, disagreed. Display believed that women were unsuccessful at window dressing, justified by claiming they did not have the natural ability to create artistic ‘open’ displays. Although the article’s author claimed they welcomed women, they believed many who had attempted it had to give it up, with their windows lacking strength and character. Nevertheless, there were successful professional female display practitioners. This paper discusses the role of women in British display, from early pioneers such as Ethel Wimhurst in 1919 to the brash American Martha Harris, who impacted on London display in the early 1930s. They and others railed against the odds to have rich and fulfilling careers.
20世纪二三十年代英国橱窗里的女性
摘要本文考察了20世纪二三十年代英国女性在橱窗展示中的作用。20世纪20年代的英国,橱窗展示在很大程度上是男人的工作。即使女性受到行业外人士的鼓励,她们也不一定受到行业内人士的鼓励。1923年,日报和女性期刊专门讨论了橱窗着装作为女性理想和合适的职业的问题。然而,英国展示人协会的官方机构《展示》的社论不同意这一观点。Display认为,女性在橱窗打扮方面并不成功,理由是她们没有创造艺术“开放”展示的天生能力。尽管这篇文章的作者声称他们欢迎女性,但他们认为许多尝试过的人不得不放弃,因为她们的窗户缺乏力量和个性。尽管如此,还是有一些成功的专业女性展示从业者。本文讨论了女性在英国展览中的作用,从1919年的埃塞尔·维姆赫斯特(Ethel Wimhurst)等早期先驱到20世纪30年代初影响伦敦展览的傲慢的美国人玛莎·哈里斯(Martha Harris)。他们和其他人反对拥有丰富而有成就感的事业。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
History of Retailing and Consumption
History of Retailing and Consumption Arts and Humanities-History
CiteScore
0.50
自引率
0.00%
发文量
3
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