Face Time, Pandemic Style∗

IF 0.4 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY
OCTOBER Pub Date : 2020-09-01 DOI:10.1162/OCTO_A_00409
Pamela M. Lee
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引用次数: 2

Abstract

This article considers the prospects of “facial politics” in the wake of CoVID-19. Recounted through the author's positionality as an Asian American feminist academic, the article describes her encounters in the university and the street, in the United States and China. Addressing gestures of face touching and the trope of the mask relative to its wearer, the essay draws on the work of Mel Y. Chen on the viral conjunction of race, animality, illness, and gender as inflected further by both historical and contemporary treatments of “Chineseness” and visibility. In so doing, the article reframes concepts of perfomativity and the face that are associated with Judith Butler, with the face becoming “the fallen site of discourse” under the conditions of a pandemic.
Face Time, Pandemic Style *
本文探讨了新冠肺炎后“面部政治”的前景。通过作者作为一名亚裔美国女权主义学者的立场,文章描述了她在大学和街头、美国和中国的遭遇。针对面部触摸的手势和口罩相对于佩戴者的比喻,这篇文章借鉴了陈的作品,即种族、动物性、疾病和性别的病毒性结合,这些都受到了历史和当代对“中国性”和可见性的处理的进一步影响。在这样做的过程中,文章重新定义了与朱迪斯·巴特勒(Judith Butler)相关的表演性和面部的概念,面部在疫情条件下成为“话语的堕落场所”。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
OCTOBER
OCTOBER HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.10
自引率
33.30%
发文量
0
期刊介绍: At the forefront of art criticism and theory, October focuses critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, media, photography, performance, sculpture, and literature. Examining relationships between the arts and their critical and social contexts, October addresses a broad range of readers. Original, innovative, provocative, each issue presents the best, most current texts by and about today"s artistic, intellectual, and critical vanguard.
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