The Miracle-Worker Blessed Simon of Yuryevets: Tradition of Veneration and Iconography

Q4 Arts and Humanities
N. Pivovarova
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Abstract

Abstract In early modern Russia, church officials who validated cults sought to curb the authority of parishes which owned profitable, miracle-working icons. Nadezhda Pivovarova examines the investigations into the icon of Simon of Yuryevets, a holy fool whose image was banned in the early eighteenth century. This act of censorship reversed almost a century of devotion at the saint’s shrine. Nevertheless, Simon’s icon continued to be venerated by local parishioners until his cult was finally revived by scholars in the late nineteenth century, winning him immense fame. Through a meticulous reading of archival documents, Pivovarova elucidates the steps taken by the Holy Synod to authenticate Simon’s cult. Pivovarova’s study provides valuable insight into the church’s thinking when rejecting a popular icon. Moreover, her essay excavates the events that led to a reimagining of the vita icon—one of Byzantium’s most enduring artistic forms—which still ranks among the most widespread icon types in Orthodoxy.
尤里耶韦茨的受祝福的奇迹工作者西蒙:崇拜和肖像学的传统
在近代早期的俄罗斯,认可邪教的教会官员试图遏制拥有有利可图、能创造奇迹的圣像的教区的权威。Nadezhda Pivovarova考察了对尤里耶韦茨的西蒙(Simon of Yuryevets)偶像的调查,这是一个神圣的傻瓜,他的形象在18世纪早期被禁止。这一审查行为推翻了近一个世纪以来对这位圣人神殿的虔诚。尽管如此,西蒙的偶像仍然受到当地教区居民的尊敬,直到19世纪晚期,他的崇拜终于被学者们复活,为他赢得了巨大的名声。通过对档案文件的细致阅读,皮沃瓦罗娃阐明了神圣会议为证实西蒙的邪教所采取的步骤。皮沃瓦罗娃的研究为教会在拒绝一个流行偶像时的想法提供了宝贵的见解。此外,她的文章还挖掘了一些事件,这些事件导致了对vita圣像的重新想象——vita圣像是拜占庭最持久的艺术形式之一,在东正教中仍然是最广泛的圣像类型之一。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Art in Translation
Art in Translation Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.20
自引率
0.00%
发文量
16
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