Technology and spirituality in Etsuko Ichihara's ludic media art

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Y. Sone
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引用次数: 0

Abstract

ABSTRACT Etsuko Ichihara is a media artist who utilises digital media and robotic technologies, exploring Japanese traditional beliefs of the spirit and the supernatural in her recent works. Ichihara repurposes paranormal and folk religious ideas concerning the figure of the shaman, an ogre-like demon that features in some Japanese festivals, and ritual offerings, but reinvents these traditional elements through technological mediation. I discuss Ichihara's distinctive engagement with a contemporised notion of spirituality in Japan. In particular, this essay argues that Ichihara's media art aims to connect Japanese people in order to create sociality and community. Ichihara appropriates Japanese animistic beliefs and tailors them for a mediated and technologised Japan, utilising what might be called a ‘techno-spiritual Japanese-ness’, that is, self-orientalising tropes that paradoxically generate the means for social relations.
一原Etsuko荒诞媒介艺术中的技术与精神
摘要一原Etsuko Ichihara是一位媒体艺术家,她利用数字媒体和机器人技术,在最近的作品中探索了日本传统的精神和超自然信仰。Ichihara重新利用了关于萨满形象的超自然和民间宗教思想,萨满是日本一些节日中的一种类似食人魔的恶魔,以及仪式祭品,但通过技术中介重新创造了这些传统元素。我讨论了一原与日本当代精神观念的独特接触。特别是,本文认为一原的媒介艺术旨在连接日本人,以创造社会性和社区性。一原借用了日本人的万物有灵论信仰,并将其打造成一个媒介化和技术化的日本,利用了所谓的“技术精神日本性”,即自相矛盾地产生社会关系手段的自我东方化比喻。
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来源期刊
International Journal of Performance Arts and Digital Media
International Journal of Performance Arts and Digital Media Arts and Humanities-Visual Arts and Performing Arts
CiteScore
1.70
自引率
0.00%
发文量
29
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