Trauma expressed pathologically: Unpacking the use of tuberculosis as a metaphor in Ritwik Ghatak’s Meghe Dhaka Tara

Q1 Arts and Humanities
N. Gupta
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引用次数: 2

Abstract

In this article, I unravel the use of tuberculosis as a metaphor in Ritwik Ghatak's Meghe Dhaka Tara (The Cloud-Capped Star), and locate it within the indices of loss Ghatak uses in the film to designate the tragic and brutal partition of the Bengal Presidency in 1947. Nita’s illness – which was both her tragedy and salvation – had to be a careful selection; it had to be semiotically proximate to the other meanings and metaphors imputed to Nita. To establish the salience of the use of tuberculosis, I underscore the link between the perception of tuberculosis and the ‘being’ of the protagonist (Nita) it sublimates. I further demonstrate that tuberculosis is the most apt disease, because the metaphors that the disease has been imbued with assimilate into the larger symbolic register that Ghatak uses in the film. I posit that Nita – ‘also’, and perhaps more acutely – suffers from the imperatives of tuberculosis – the characteristics associated with the disease in the popular imagination – rather than the mere pathological condition caused by the pathogen, mycobacterium tuberculosis.
病理表达的创伤:在Ritwik Ghatak的《Meghe Dhaka Tara》中,解构肺结核作为隐喻的使用
在这篇文章中,我揭示了Ritwik Ghatak的电影《云顶之星》(Meghe Dhaka Tara)中肺结核作为隐喻的使用,并将其定位于Ghatak在电影中使用的损失指标中,以指定1947年孟加拉总统职位的悲惨和残酷的分割。妮塔的病——这既是她的悲剧,也是她的救赎——必须经过慎重的选择;它必须在符号学上接近妮塔的其他含义和隐喻。为了突出肺结核的使用,我强调了肺结核的感知与它所升华的主人公(Nita)的“存在”之间的联系。我进一步证明,肺结核是最合适的疾病,因为这种疾病的隐喻已经融入了Ghatak在电影中使用的更大的象征范围。我认为,Nita——“也”,也许更严重——患有结核病的必要性——在大众的想象中与疾病相关的特征——而不仅仅是由病原体结核分枝杆菌引起的病理状况。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Studies in South Asian Film and Media
Studies in South Asian Film and Media Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.70
自引率
0.00%
发文量
8
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