Mimì Aguglia e Marinella Bragaglia alla prova della fotografia

Drammaturgia Pub Date : 2022-04-05 DOI:10.36253/dramma-13550
S. Scattina
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Abstract

The pictures featuring Mimì Aguglia and Marinella Bragaglia, actresses from the Sicilian dialect theatre, blur the boundaries between stage and life, fiction and reality. The interior and poetic space of the theatrical action is identified with the physical space, discovering, in the geography of a face, in the arcane outline of an expression, the traces of a submerged landscape. Photos that also allow us to explore the way in which the island (and national) theatre was visually narrated from the second half of the 19th century to the very early years of the 20th century. Starting from photographic documents of the time, the contribution will attempt to outline – taking into account a few, but essential, biographical elements – the portrait of these two significant figures of a more general dramaturgy of actresses. Inhabiting the stories of these actresses means attempting to tune «voices and souls, bodies and writings», in a fertile interweaving, according to the indications left by Claudio Meldolesi, between «intimate images», the «level of techniques» and the «level of the given conditions». We will see, going beyond the image of the actress, how the photos become a model of femininity, success or more generally of life (the performer becomes the object of attention far beyond the stage, as an example of woman, wife and mother), among the female spectators. 
咪咪·阿格利亚和马里内拉·布拉基利亚在摄影测试中
来自西西里方言剧院的女演员Mimì Aguglia和Marinella Bragaglia的照片模糊了舞台与生活、小说与现实之间的界限。戏剧动作的内部和诗意空间与物理空间相一致,在面部的地理位置,在表情的神秘轮廓中,发现了淹没的景观的痕迹。这些照片也让我们可以探索从19世纪下半叶到20世纪初,岛上(和国家)剧院的视觉叙事方式。本文将从当时的摄影文献出发,考虑到一些重要的传记元素,试图勾勒出这两位重要人物的肖像,这是一种更普遍的女演员戏剧。根据Claudio Meldolesi留下的指示,居住在这些女演员的故事中意味着试图在“亲密图像”,“技术水平”和“给定条件水平”之间的肥沃交织中调整“声音和灵魂,身体和写作”。我们将看到,超越女演员的形象,这些照片如何成为女性气质、成功或更普遍的生活的典范(表演者成为远远超出舞台的关注对象,作为女人、妻子和母亲的榜样),在女性观众中。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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